Hello Everyone! My name is Trent, and I am a student at Florida International University, and I am taking John Bailley’s 2020-2021 Art Society Conflict course. My major is Electrical Engineering, but I’d say that my interests are far greater than just math and science. Ever since I was a young child, I was in love with just about everything related to the arts. My notebooks were filled with doodles of action heroes, obscure vehicles and of course, some of my favorite animals. When I was in middle school, I played violin in our school orchestra at Southwood Middle School. I’d say that while the violin was not necessarily my passion, I definitely developed a love for playing and making music. Now, as a hobby I am trying to learn to play the guitar. Middle school was also where I got in to skateboarding, which has been a passion of mine since.
As I got older, I started to become more interested in politics and the way people operate, and how we got to where we are. I am excited to learn in this class not only how people think, but how they express what they think through art and how these two things shape my home city of Miami.
Deering as Text
“Miami’s Home of History” by Trent Martino of FIU at Deering Estate
September 9, 2020
Your first impressions of the Deering Estate might be misleading if you have never been there before. The drive to the property will take you through some very modern neighborhoods, and in particular Miami fashion, none of the houses seem to belong next to each other, and they all creep right up to this historic site. However, once you step on to the property you will get to experience how breath-taking it is.
The history at the Deering Estate begins many years before John Deering ever stepped foot on the property. The original inhabitants of this land was a tribe of indigenous people known as the Tequesta. Inside the Richmond cottage, there is a display of some of the artifacts and tools that were made and used by the Tequesta’s.
The older of the two houses on the property, the Richmond Cottage, was originally constructed in 1896 by S. H. Richmond, and was reconstructed by his wife Edith Richmond in 1900. 16 years before Charles Deering purchased the property. After Edith did some renovations to the property, the Richmond Cottage acted as the southernmost hospitality resource in the United States. The docks right behind the cottage made it an ideal spot for wealthy travelers looking for a tropical get-away along the Atlantic coast.
The other main building on the property is the Stone House. The stone house was build after Charles Deering purchased the property. Construction began in 1922 and took about a year to complete. This house served as the primary residency of Charles Deering and his family when they were in South Florida.
The architecture of the Stone House is probably the best physical representation of Miami that you can find. It was designed by Charles Deering, who was a European white guy from Maine, and much of the construction on the Stone House was done by One of his inspirations for the building came from Islamic architecture, which can be seen from the pointed and onion-shaped arches along the outside of the building. What is even more fascinating is that this building, designed by a white man, inspired by Islamic architecture, was built by a ton of other ethnic minorities from around the area.
I believe that the construction of the Stone House points to an amazing quality of Miami: a bunch of cultures and ethnic groups coming together in one giant melting pot, forever living with each other, giving and taking influence, so much so until original ideas are hard to pinpoint as they mesh together.
South Beach as Text
September 23, 2020
This week, Professor Bailley took us on a trip around South Beach in Miami. As a South Florida native, I have been to South Beach many times in my life, and to be quite honest, I was not excited for this trip at first. I think that since I have lived in such close proximity to the area my whole life, I had become jaded to what the atmosphere of South Beach was. To me, it was just crowded beaches with weird building and over-priced food. But I put my trust in Professor Bailly to show me something new. In all honesty, he blew my mind. He was able to introduce me to so many amazing and interesting things about Miami, and I am so glad that I was able to take this tour with him. I now have a much deeper appreciation for South Beach, and Miami as a whole.
I used to think that the architecture on South Beach was just a random mess of strange buildings with no rhyme or reason to them. While this may be true for some, I now understand that the style of South Beach is totally unique, and each building is essentially a piece of fine art. The reason why it looks so disorganized is because each person who wanted to make a building had their own vision in mind for the architectural style, and walking down the street is like walking through time, seeing how ideas and tastes change as Miami developed. Professor Bailley informed us on the major design styles: “Mediterranean revival,” “Miami Modern” or “MiMo,” “Art Deco,” and while this is not necessarily a style, there are some old western style building along South Beach as well. I think that out of all of them, my favorite design styles are MiMo and Art Deco. Those two look extremely unique, and I don’t think that I have seen those design styles any where else. But to be honest, I never took the time to appreciate them until now.
I like how Miami is very different from other places. While I still think that it’s “messy” in terms of its style, I now appreciate that mess as people trying to experiment with different things, and to express themselves through the designs of their businesses. And in the end, I think that is what South Beach is all about: expression and freedom.
I think another aspect of this trip that made this trip especially interested is that we went during the COVID-19 pandemic. As a result, South Beach was pretty much vacant. While there were some people there, it was absolutely nothing like a typical day in Miami. A lot of the famous businesses were closed to the public and even some public facilities were as well. While this may seem like a bummer, I think it really gave us an opportunity to see and appreciate everything without the added stress of trying to navigate around crowds of pedestrians.
Bakehouse as Text
October 7, 2020
The Bakehouse in Wynwood is currently working on a fantastic exhibit that is using art to teach the public about an extremely important scientific issue. The leading artist, Lauren Shapiro, is working with environmental scientists to create an exhibit that is going to show people the damage that we are doing to the Earth’s coral reefs.
Coral reefs are a vital part of our ecosystem, and without them, tons of ocean life will perish, and consequently, much of the life on land will follow with it, since so much of the two environments depend on each other. There are many ways we pollute the ocean, including trash that escapes into the ocean, runoff from farmland, construction along the coast, over fishing, and much much more. All of these things can cause the coral to go through a process called “coral bleaching,” which is where they lose their color as they die. Lauren Shapiro and the artists she works with are using clay to demonstrate this process. Lauren worked with a group of scientists that create realistic 3D models of coral, and she used those to make molds out of a silicone-based substance. She then uses those molds to make clay versions of those different pieces of coral. They also built these massive wooden structures that the clay gets placed on. Over time, the clay will dry up, becoming pale and cracked, and also fall off of the wood, to visually simulate what happens to our coral reefs due to our negligence.
I think that the best part of this exhibit is that it beautifully combines a scientific issue with an artist application. I think that the hardest part of conveying a message as important as climate is that the information and the consequences can be difficult to explain with words alone. In order to show people the real consequences, we need artists that can think of amazing ideas like this that will really resonate with people. I hope that more artists get the opportunity to make informational exhibits like this, and I hope more scientists are open to doing the same.