Liza Guanch is a 19-year-old junior at Florida International University. She was born and raised in Miami but embraces her Cuban and European background. She is a cancer survivor and sees that as one of the blessings in her life. She is majoring in Psychology and wants to pursue a graduate degree in Forensic Psychology to then work in the FBI. She continues to challenge herself to accomplish all her goals and learn every piece of knowledge she is able to.
Downtown as Text
“Roots of the City as Text”
by Liza Guanch of FIU at Downtown Miami, 1 September 2021
Color can be found deep within the roots of Miami. However, it seems that this story of color has been washed out. The original inhabitants of Miami were colored, the Tequestas. The first named citizen was a colored man, a Bahamian. The first buildings to be built in Miami were created by African-American people. Miami runs on color, but with so much of the history that is told being based on the European colonization, it gets pushed underground.
To be colored in a society that was crafted by those who were colored should be something powerful, yet it has brought so much fear and struggle instead. In the beginning, the Tequesta people brought life to this city prior to it being a city. They used their knowledge of the land that they called home to survive 250 years past European colonization. They passed on many skills and lessons to these foreigners such as farming in this wet environment and hunting methods to get the best catch in the Miami wild. Without these skills, the foreign Europeans would not have lasted long. Yet, somehow, the foreigners decided that these Tequestas were of no use as the years went on and ran them out leading to their extinction. Miami may have been inhabited by color, but it then became a European settlement.
As the Europeans continued to take over the land we know as Miami, a man by the name of William English came from the Carolinas to create a civilization based on fertile soil. While this can be seen as good, all good brings on its fair share of bad. To take care of this land, labor was needed, and what better labor, English thought, then free labor. Slave labor was introduced because of civilization creation and agriculture in Miami. The first buildings ever built were slave quarters, “Longhouse” which then turned to “Fort Dallas” to be used in the Seminole Wars, and they were built by the African-American and Bahamian people. While slavery may have started because of William English, the foundation of Miami being built by color was also started.
Further understanding of Miami roots running deep and filled with color are the Seminole Wars. These three wars paved the way for the Seminole Indians to have the home that they have now in the Everglades. These wars were some of the most gruesome wars on both the European and the Seminole sides. While they were the most gruesome, the end result was freedom for the colored people, despite them still being pushed into the Everglades. The colored roots of Miami may run deep and may be underground in most parts, but the Seminoles prove that these roots are present and are never-ending.
As the creation of Miami continues, Henry Flagler brings railroads to Miami which is an extreme improvement to the city that Julia Tuttle founded. However, these railroads allowed for town separation which Flagler took advantage of and created segregation among Miami through the development of the city we know as “Overtown”, but was known as “Colored Town” and referred to as “Darkie Town”. This was the first appearance of segregation and continues to prove that despite Miami being crafted and built by color, there is more fear and struggle than power and freedom in these colors because of its European history.
As time goes on, segregation eventually ends in the 1900s, but the divide never disappears. Racism dates back to the early 1700s-1800s when the Europeans first came to interact with the indigenous people and any other tribes that made their presence known such as the Seminoles and Tequestas. Racism does not limit itself to only the African-American people, it extends to those of all color, and it does not leave color out. It is a prevalent issue that still exists today which is a deep shame because this city would not exist if not for color. Our roots are color, we were built because of color, the society we know today would not be if not for color. Our roots run deep and they are colored.
Overtown as Text
by Liza Guanch of FIU at Overtown, 15 September 2021
Time. We know it as the seconds, minutes, hours, days, weeks, months, and years of our lives. We see it as a wake-up or go to sleep reminder, we see it as class/work start and end times. In present day society, many simply see time as a concept that helps our day-to-day lives. The reality is time is not just an aiding concept. Those of us who do not see time in this “present” view are those who have been at war with it, those such as the Tequesta tribe and other Native American tribes or the lively community that was forcibly created in Overtown who have suffered so greatly at the hands of this unbeatable force.
The beginning of this fight in Miami against time starts with the Tequesta inhabitants, the Miamians before Miami. This tribe and a few others such as the Seminoles and Miccosukee found the area of what is now known as Hialeah as a place to farm because of its fertile grounds, but it was also used as time went on with those newer Miami people. As time passed, the Tequesta went extinct after 250 years of living alongside foreigners, the Seminole people fought for their land and never surrendered but were forced to move to the Everglades where they presently reside. Time forced these inhabitants out of Hialeah, so a city could be built, as if a community was not ruined. Hialeah Park was created as time passed and it became the center of Hialeah in the 1920’s standing as a family friendly location to bet on horse races and greyhound races. This seemed wonderful and it lasted for several years leading up to the late 1990’s/early 2000’s, but again, time passed meaning that laws were passed, and those laws include gambling and animal cruelty laws which shut down horse and greyhound racing; this led to the eventual shut down of the Hialeah Park amusement area and it is now seen as a protected piece of history. While the loss of business in Hialeah Park is not as much of a loss as what the indigenous people faced, it is still a clear example that the more time passes, the more life can be altered in so many significant ways.
One of the most saddening challenge that has been faced with time is portrayed in Overtown. This city was created to segregate the Blacks from the Whites during the time of Henry Flagler and was known as “darkie town”, so these people of Overtown were forced to create a community out of this area and they did. They made the most out of this forced lifestyle and even developed a business sector and a “Little Broadway” which is where the city would come to life with the constant performances from big name Black celebrities such as Billy Holiday, Aretha Franklin, and Count Basie among others. As the enemy known as time continued to terrorize life as they knew it, developers came and decided that many buildings, homes, and areas needed to be updated to give Overtown more appeal. If you view Overtown today, it is filled with high-rises including excessively expensive apartment buildings and there is a highway, I-95, that sits around 50 ft from one of the first historically Black churches in Miami. This is called gentrification. Gentrification is dislodging a community to try and create a different image for the city, despite the city already being beautiful and filled with passion. All those high-rises were once family homes and businesses that were forced to move because developers decided they had a better plan for that one specific area which overruled having to uplift so many families and hard workers from the only places they knew as theirs. The only buildings left from this massive development are mainly the ones that must be protected by the National Register of Historical Places such as the two historically Black churches, the Dorsey house, and the Lyric Theatre. These churches still have services to this day where they speak on all the good the Lord has provided them with, yet they are still made aware every day of all that has happened leading up to present times. They never forget the effect that time had on them and continues to have on them. While time may bring some good, we can never forget that we are always racing time.
Vizcaya As Text
By Liza Guanch of FIU at Vizcaya, 13 October 2021
Ignorance is bliss. Bliss is defined as perfect happiness or an immense level of joy. What brings on bliss during times of struggle? Pleasure. People crave to be pleased and to please because of the satisfaction it brings despite any issues they may be facing. James Deering, one of the wealthiest men in Florida in the late 1800s to early 1900s, desired a lifestyle filled with this concept. He enjoyed traveling and experiencing all the world had to offer, but he was enamored by Italian living. As he was planning his next expedition to Italy, World War I struck preventing him from doing so. What does a man who longs to be entertained and pleased do when he is kept from his place of enjoyment? Naturally, a man like Deering would bring Italy to Miami, Florida.
Deering not only brought Italy to Florida, he brought Europe as a whole to Florida during his creation of Villa Vizcaya, an Italian-style villa made to represent pleasure and entertainment. He hired Paul Chafin as an artistic director to bring his ideas to life in this villa. To provide an idea of what Deering wanted to have on display in his villa, one has to understand that despite wanting to create a theme of indulgence, he also had to have anything that was new in technological advancements or that showcased his wealth such as a phone which he primarily used to contact his brother, Charles Deering at the Deering Estate, and an organ in one of the rooms.
Villa Vizcaya was created amongst the 180 acres of Bayfront land that Deering purchased, but it only makes up about 38,000 feet and Vizcaya Museum only consists of 50 acres to date. Deering made it a point to buy this much land but only build on such a small portion in comparison to be able to preserve the natural environment. The creation of this villa took about 4 years and utilized 10% of Miami’s population at the time with most being Afro-Caribbean, black laborers that were paid more at Vizcaya as opposed to any other job they were able to get yet it was still nowhere near a stable living for these laborers. While Deering may have been an avid nature conservationist, he remained blind to the main issues at hand such as racism, prohibition, and many others. Some would say that his wealth blinded him, but being ignorant comes from only viewing the world in a singular view, and in his case, it was his hedonistic view that shut out any that would impact it negatively— though, I suppose wealth could also play a part in this. His ignorance might have prevented him from being involved in society and using his wealth for more than just self-satisfaction, but Deering never seemed to create any label for himself that would place him as a vile person, just possibly overcome by his status.
Deering believed himself to be made up of many different personalities. He believed he was an adventurer, a pioneer, and a hero to name a few. He crafted statues of Ponce De Leon and a man from the Vizcaya shipwreck which he placed across from each other on the grounds to showcase who he thought himself to be. Throughout his villa, many representations show his egotistical view of himself in several ways, but there are also many depictions of ecstasy and indulgence such as the statue of the Roman God of Hedonism, Dionysus, the statue of Leda who had relations with a swan that was Zeus in disguise, or the music room with “Cupid” seen on the walls and ceilings and floral patterns seen in the light fixtures, furniture, and walls representing the female anatomy in art.
Deering crafted a beautiful villa with representations of Spain, Italy, France, and Rome in the architecture and design. The villa immersed visitors in a trip around the world that satisfied all of their visual needs and allowed them to be consumed in pleasure and blind to reality. With secret garden hideaways, breath-taking pieces of artwork, stunning natural landscaping, and hedonistic symbols throughout the property, Vizcaya lives up to Deering’s goal of being a place of pleasure. Living in ignorant pleasure may not be suitable for day-to-day life in present times, but if there is a chance to experience it for a moment and escape true reality, then that is a chance worth taking.
South Beach as Text
“Diversity and Design”
By Liza Guanch of FIU at South Beach, 27 October 2021
Diversity is defined as the quality of including people from different ethnic, religious, social, and racial backgrounds along with those of different genders and sexual orientations, so how is there diversity in design? South Beach has not always been known as a place filled with unique architecture, as it was once a mangrove-filled habitat that transformed into a getaway beach paradise for those of all colors. However, as time progressed, diversity was strained until design in architecture decided to take over which allowed for a grand re-opening of a shared city.
There are three main architectural designs that South Beach is filled with: Mediterranean Revival, Mimo, and the most famous, Art Deco. Mediterranean Revival comes from Spanish and Mediterranean influences and is known for creating an atmosphere of relaxation and serenity; identifying this style involves looking for archways, porches, balconies, and iron fixtures much like the Versace mansion. This form of architecture can be found throughout South Beach and was introduced to Miami in the 1920s-1930s to entice tourists and add an “exotic” appeal. Mimo is the second style found throughout the architecture in South Beach and stands for Miami Modern. It was developed in the post-war period and was meant to fulfill the intrigue of people’s fascination of futurism with acute angles and other geometrical forms. Last, but not least, is Art Deco, which by itself can stand to represent the beauty and symmetry of the diverse and tropical city that we live in. Art Deco first began in France just before World War I and is where the name was founded, but it made its appearance during the design period of the 1920s and 1930s which is when the other styles began to emerge as well. This movement was a strong influencer and motivator to more than just building styles, it inspired fashion and art as well. These buildings are not easy to miss and that was intentional as the goal was to create a modern look that was simple, yet fresh. Noticeable features of these Art Deco buildings are their bright colors, their porthole style windows, the symmetry of “three”, and the detailing that is usually of geometric shapes or of nature.
These three design styles may only be buildings, but they are creations of different backgrounds that serve as a destination for all to view, therefore increasing diversity in and through design. It may not make total sense, but Miami often does not, yet the chaotic nature of this city is what helps it thrive. We are diverse and beautiful in every sense of the word.
Deering Estate as Text
By Liza Guanch of FIU at the Deering Estate, 10 November 2021
The Deering Estate is made up of over 450 acres of natural Miami landscaping. It was once the home of the Tequesta people and is still the home of many animals such as gopher tortoises, river otters, spiders, snakes, coyotes, and many more. There is so much history that is found within the roots of the mangroves, within the bark of the tree, and within the holes of the earth. Even the extinct Dire Wolf ran across the prairies that made up the land that is now the Deering Estate.
Step into the past. The roots run deep here. Imagine you are a foreigner because that is what you are in this terrain. The mosquitoes flying at full speed like fighter jets just to get a taste of your sweat-covered body, coyotes howling in the distance, unknown steps being taken into mangrove-filled freshwater that can house all from alligators to snakes to the tiniest of insects, the beautiful danger is all around. You discover several holes on your trek through this wilderness, some are solution holes, some are the doings of the animals around you such as the crab, but all are not meant to be stepped in with their varying depths, they are threats that contain history that is not meant to be disrupted. The type of history that is found here is the type that tells stories. From animals being trapped in the deep holes that they just went in for a sip of water, but never lived to drink anymore as they were devoured themselves to human remains that were buried as part of a ritual. This is a land of many stories. A land of several habitats and homes. This is not a foreigner’s land, but it welcomes it with all its dangerous beauty. This is and was the true Miami.
Being able to preserve this part of Miami is crucial because it helps remind us of our roots. It helps archaeologists better understand our roots. It helps the mangrove roots survive and continue to spread, providing a better environment for everything. Our roots run deep and the Deering Estate is proudly preserving them.
Rubell as Text
Modern art and contemporary art define two versions of artistic style. Contemporary art usually refers to current artwork that is thought-provoking and creates an emotional response, whereas modern art is about the medium being used which began with a simple painting but has evolved into using any and every material for creation. Combine these two styles together and you have Modern Contemporary Art. A style that contains art done with all imaginable items such as wood, plastic, oil, fur, or something as simple as a pencil and some paint. Modern Contemporary Art is a style that uses multiple resources to create the final piece which often tells a story or can create one by touching on sensitive topics such as societal issues. Some say that these pieces of work are a conversation between the creator and the piece, itself, but I believe that the piece stands as a message man for the creator who is screaming their message across in immersive and abstract beauty.
At the Rubell Museum, there is a constant flow of artwork traveling through from over 1,000 artists. The latest and most featured exhibit are the works of Yayoi Kusama. Yayoi Kusama is a Japanese artist who had spent the past 40 years being a voluntary patient in a psychiatric hospital due to severe hallucinations and panic attacks that stem from childhood trauma among other situations she has encountered. She has lived through a series of events and depicts that in her art. It seems that she is insistent on making her work come to life to tell her story, as any contemporary artist would, but she does this to a deeper level. Her artwork takes you places, it takes you to other worlds, and immerses you in her headspace, into her creations. She has been creating ever since she was a child, detailing her trauma, her loss, her suffering, her lessons learned, all through the medium of artwork. Knowing her intention and background significantly affects how her art is viewed, but without that knowledge, her artwork is incredibly powerful and speaks for itself. A personal favorite is “Where the Lights in My Heart Go”, it is a piece that immediately drew me in and a piece that I developed a connection with. This piece reminds me of a city of stars and being lost in the light. I was instantly overwhelmed by the beauty of it and wish I had more time to spend inside of this art installation, but it created a lasting memory in my brain. It told a story of being caught in a never-ending world and how it is so easy to be caught up in the endless and all-consuming side of it, but the constant rays of light show that while it may be endless, it is also beautifully lit up and filled with extraordinary moments. It is safe to say that Yayoi Kusama has successfully mastered the art of immersive experience and I hope that she continues to tell her stories and allow others to create stories of their own with her work because it is truly captivating.
Everglades as Text
“An Alligator’s Oasis”
The Everglades is made up of 1.5 million acres of natural landscape from saltwater marshes to pine rockland. Within this vast amount of land, there are several species of animals and plants, but the alligator holds the spot as the most well-known. Alligators are perceived as dangerous creatures and their level of violence has been exaggerated through the years. This is not to say that they are not strong and ferocious creatures, they are, but they usually prefer to keep to themselves. They have a unique lifestyle, and the Everglades acreage is perfect for it.
It is common to see alligators in groups, or congregations, basking in the sun, but alligators do not actually spend all their time in this groups. They enjoy their privacy and time has taught them a solution to this. One of the nicknames that alligators have is “engineer” and this is because of their ability to create. These reptiles have mastered the art of construction within nature. They construct massive homes for themselves that define serenity. These homes are known as “alligator holes” to people, but a proper name would be “alligator’s oasis”.
Upon entering an alligator hole, a feeling of peace immediately takes over. It is a creation unlike any other. The alligator hole from the outside looks like a simple hill, but within, it is made up of so much more. Water covers the ground with depths usually being around 2-3 feet all around, but there are deeper spots throughout. Massive trees are spread out all over the land with small spots of dry land that provides just enough room for an alligator to relax and a large opening in the center of the hole to let all possible natural light enter. The beauty in this hole is surreal. The alligator’s oasis is not just for the alligators, as owls and other species have been seen enjoying their own moment of serenity.
Alligators may not be human, but they understand the importance of having a place of peace that helps escape reality. These reptilian engineers craft nature’s 5-star resorts and it is truly impressive. Once one enters this oasis, leaving becomes a challenge because there is no place on earth that is as quiet, as serene, or as beautiful, as the alligator hole.
Coral Gables as Text
“Step into the City”
The city of Coral Gables opened in 1906 and was founded by George Merrick. Merrick’s name is controversial to some, as he used Black laborers for much of his construction, but he remains a man who crafted a successful city, despite how many attempts there are at erasing his name in history. A major highlight of his success is the Biltmore hotel.
The hotel was originally created by Merrick as a place for his new landowners to stay while they awaited the completion of their new homes in Coral Gables, but it became more than that. It became a hot spot for entertainment and fashion. It opened in 1926 with 400 hotel rooms, an 18-hole golf course, beautiful views, and designs crafted in Merrick’s vision of beauty which was of Arabic and Mediterranean style. During the years leading up to World War II, the hotel was hosting major events and housed several celebrities and exclusive individuals from royalty to Al Capone. It was also during these years that the Biltmore overcame the economic downfall that was occurring by using the pool that was the largest pool in a resort at the time for aquatic events from alligator wrestling to synchronized swimming.
World War II changed the Biltmore from an exhilarating tourist destination to an army hospital. This is where many haunted stories of Coral Gables began due to the many deaths that have occurred during the years of the war. It remained a hospital until the late 1960’s and then was owned by the city but left abandoned for about 10 years. These 10 years involved endless amounts of trespassing teenagers looking for ghosts, specifically the lady in white who jumped out of the balcony window in hopes of saving her son and while she managed to save him, her spirit is said to be trapped in the Biltmore; alternatively, these trespassing teens could have simply wanted an exciting adventure.
Around the early 1980’s, the Biltmore began a major restorative process to reopen as a hotel. It opened after 4 years, remained open for 3, and closed again for another 4. Another attempt was made to restore this hotel to its natural beauty and elegance and this attempt took 10 years but exceeded expectations. It is a National Historic Site and is an expensive landmark that has tourists flying in from all corners of the world. Going to the Biltmore may seem like an escape from reality and into royalty, but it really is a step into the city of Coral Gables and a step into history. The Biltmore was crafted by Merrick and will be forever known as the place made for the city. It will also be known for its haunted history, so feel free to stop by for a ghost tour and a day at the pool.
River of Grass as Text
Stepping foot in the Nike Missile Base is taking a step into history. From the dog kennels to the missile itself, it is 100% authentic and preserved. This site was finished in 1965 and served as protection to air attacks that could occur from the Soviet Union as this was in the middle of the Cold War. This war was the result of an ongoing political rivalry between the Soviet Union and the United States post World War II; the reason for the name is because neither officially declared war which means they never fought directly, as opposed to a “hot war” where nuclear weapons can destroy. With this knowledge, it can be understood that the missile sites that were created all over the United States served a purpose of protection; it can be called a “just in case” measure.
The Nike Missile Base in the Everglades is called “HM69” or “Alpha Battery”. It was a part of a project called Project Nike (Nike being the goddess of victory in Greek mythology) that involved setting up these sites around the country in efforts to protect U.S grounds from Soviet air attacks. The Everglades was not a major city, but it was at a perfect location because it was on watch for attacks in the South, or rather from Cuba which was a Russian hotspot at the time. This specific location housed 2 missiles with extensive technological advances that allowed for a better defense of South Florida. During the time it was in use, it was home for over 140 soldiers, and they stood as the manpower behind the missiles. In my opinion, the most interesting remnant of this site is the dog kennel because if this was a site to prevent air attacks, the purpose of the canine’s presence other than companionship is unknown to me.
However, this site was not used; the soldiers who made up the staff of this site were given an “Army Meritorious Unit Commendation” for its deterrence ability rather than attack. Overall, this historical site is an impressive location that deserves continuous recognition for the part it played in the war and the protection it gave to the Everglades and all South Florida.
Design District as Text
“The Art of Giving”
Art is powerful. It can take on many forms and meanings. An artist’s mind is almost as powerful, as it creates the ideas behind the pieces. An artist’s work is a way of storytelling, and it is an extension of themselves. These stories in these pieces speak volumes and they need to be heard.
In both the Margulies Collection in Wynwood and in the De la Cruz Collection in the design district, there was art that immediately immersed its viewers, but Felix Gonzalez-Torres was the most intriguing of all. His work is located at the De la Cruz Collection which is a private collection owned and started by Rosa and Carlos De la Cruz. The De la Cruz couple had personal ties to Felix which made the exhibit even more impactful.
Felix was a Cuban artist who referred to himself as American and crafted his work around engagement of the community. His main intentions of his pieces were to be intellectually immersive and some physically immersive. He wanted his art to give something more to people, so he began crafting pieces with the sole purpose of it being given to anyone who sees it, for free. Many of his art installments were untitled, but there was a subtext which provided some insight on the meaning. A specific piece that gave to the public and is untitled is the stack of white candies on the floor which is crafted in his father’s memory as it detailed in the subtext. These white candies may not mean much to the outside eye, but the idea that it is art that one can interact with is significant.
Another piece of giving art made by Felix was these two stacks of paper with one sentence on each, “Somewhere better than this place” on one and “Nowhere better than this place” on the other. Felix wanted people to take a paper and choose their own meaning. He wanted people to think upon their life and make the decision if they were where they were meant to be or if they still had to find their better place. Obviously, some viewers may not think much and just choose one or both simply because it is there, but it was the idea that Felix made this piece to influence the mind and allowed this influence to be a take-home item.
Art can tell many stories and hold many meanings, but the most significant art is art that gives. Felix Gonzalez-Torres spent his life telling his stories through art that put the mind to work, but also established new meaning by giving his art. He was and forever will be an inspiration that lives on through his powerful pieces.
Coconut Grove as Text
“The Creator’s Home”
Coconut Grove is far from what it used to be, yet the stories of its past remain intact in several places. Like all Southern Florida, the land that would eventually turn into the city we know belonged to the original inhabitants, the Tequestas. The Seminoles also shared this land as time went on, but the first to live were the Tequestas. These were the Miamians before Miami, and they created the beginning of the Miami legacy. There is much to learn about these original creators, but this story is of those less spoken of, the Bahamians.
Coconut Grove existed prior to Miami being incorporated as a city and had an influx of settlers from the Bahamas and other Northern states. While the settlers from the northern states did make a name for themselves such as the Munroe family, the Bahamian presence and impact is the focus. These were laborers, but they were so much more than that. The Bahamians were one of the few who knew how to thrive in the Southern Florida environment and work with what they were given. They knew how to plant crops, harvest food, and use limestone to aid in construction projects that would put roofs over their heads. Without them, Miami may not have existed in the way it does. Bahamians travelled for a better life opportunity and were one of the first immigrant groups to arrive in the Grove which makes it one of the oldest black communities in Dade County to date.
Of the many, the most notable Bahamians would be E.W.F Stirrup and Mariah Brown. The stories of these two individuals in unlike any other. E.W.F Stirrup started his life in Key West and used his charismatic spirit to get into the world of real estate. He became one of the icons for Bahamians and was one of the few rich Black men. He would buy several plots of land and would sell them to other Blacks because he believed that homeownership was key to a better life and being a better person. He also built himself a beautiful two-story house that would be wood-framed and is still standing to this day. Aside from selling houses, he owned several local stores which made the community thrive. E.W.F Stirrup is a man to be remembered for the impact he had on the creation of the Coconut Grove community. Mariah Brown was a pioneer in the Grove. She had travelled to work at the Peacock Inn and her family was one of the first to settle in Coconut Grove. Her significance is within her homeownership. She had purchased land for $50 and constructed her house. She is known as one of the first Black homeowners and she is a woman which expresses the importance of women in the creation of Miami. It is a one-and-a-half story white house built out of Dade County Slash Pine with a construction design intended to aid in harsh weather such as humidity, tropical storms, and wind pressure. This design was influenced by Bahamians as this came from their homeland and was known as Conch houses. Conch houses were made with large roof overhangs and high ceilings among other features to ensure airflow and sturdiness. Brown’s house is still standing today but does not seem to be receiving the care it deserves, so there is something to be said about that. These are landmarks and they should be treasured, not trashed.
In the city of Coconut Grove, there is a cemetery. This is unlike any other cemetery as it is solely a Bahamian cemetery. This is a place for Bahamians to recognize their loved ones and the creators of Coconut Grove that were not white. Where it is today was not its original location, but it outgrew the previous space and required a different location. For this move to occur respectfully and correctly, the leaders of the city such as E.W.F Stirrup and others purchased the property it is on today to keep their loved ones safe and secure. This is the resting place of many of the creators of Coconut Grove and it should be kept as such. A unique feature about this cemetery is that all the caskets are above ground. In my opinion, it added a personal touch and allowed for a deeper level of respect and recognition to be given. This cemetery is a constant reminder of who created Coconut Grove and who is keeping the creation alive. Coconut Grove is one of the oldest black communities in Dade County and it should be known that it is the home of the creators. It is home of the laborers. It is home of the constructors behind most of Miami. History has stories of these individuals, but we must continue to tell them, so that they may never be forgotten.
Key Biscayne As Text
“Escape to Paradise”
What is the ideal outdoor location? Beach access? Trails to walk or bike through? Areas for fishing? Restaurants/Cafes on site? Or simply just somewhere to sit? Whatever your preferences may be, Bill Baggs State Park has it all. It is at the farthest end of Key Biscayne and is made up of 442 acres of natural beauty. It is home to one of the oldest standing structures in Miami Dade County, the Cape Florida Lighthouse, and protects a vast majority of South Florida’s natural landscape and wildlife.
Once you pass the entrance, you are immediately transported into a tranquil paradise. This park has so much to offer, both in activities and history. The Cape Florida Lighthouse, which is a must-see location, was built in 1825, but suffered damage during the Seminole Wars, so it was reconstructed in 1846. This lighthouse is not currently in active use, but there are tours offered for locals and tourists to see some breathtaking sights from atop the lighthouse and to experience what it was like inside a lighthouse. Many are familiar with the underground railroad, but there is another underground railroad that is not often spoken of. Between the years 1821 and 1861, there was a coastal route that would help lead slaves to freedom in the Bahamas and it was known as the Saltwater Underground Railroad. The Saltwater Underground Railroad route would occur in Cape Florida which is the land that Bill Baggs is on today, making this state park more interesting. The Cape Florida Lighthouse is listed on the National Register for Historical Places and Cape Florida is known as a National Underground Railroad Network to Freedom Site to allow the continued remembrance of the lives they saved, and the slaves freed.
To be at the park is to be immersed in nature and to step on the park’s soil is to be taking the same steps as history. Marjory Stoneman Douglas once called Key Biscayne, “a romantic hideaway”, however I believe that the true hideaway is in Bill Baggs State Park. Bill Baggs State Park is simply a drive away for Miami locals, so if there’s ever a need to escape to paradise, it is found there.
One thought on “Liza Guanch: Miami as Text 2021-2022”
This is real good.