Skyler Hayman: Nick Gilmore 2021

Photo taken from Nick Gilmore’s website: gilmoreworks.com

Artist QUOTE

“The idea that people and nature are separate is wrong. Once you realize that you’re just as much a part of nature as a raccoon or a tree then you can see the world differently so you’ll treat the world differently”.

Student bio

Photo taken by Skyler Hayman in 2021 during golden hour at Florida International University

My name is Skyler Hayman, but everyone calls me Sky. I identify as a non-binary queer human being who was born and raised in Miami, FL and birthed from two immigrant parents who are originally from Nicaragua. All pronouns are welcomed and so are your comments. I am a junior at Florida International University double majoring in International Business and Marketing. Art has always and will always hold a special spot in my heart as it is a way to connect with other human beings through time and space.

Biography

Nick Gilmore is a Miami-based sculptor and printmaker. From a young age he was drawn to the natural world. Having a passion for the outdoors and later dabbling with his construction background, this factored heavily into his artwork. He focuses on connecting you to the earth while disconnecting you from the world. He has won awards and has even served as a professor at Florida International University. Gilmore’s artwork has been exhibited throughout South Florida like places at Bernice Steinbaum Gallery, Locust Projects, Dimensions Variable, Turn-Based Press, Swampspace, 6th Street Container, Patricia and Phillip Frost Art Museum, and many more.

PERSONAL IDENTITY

Nick Gilmore was born in Alabama where has was given the opportunity to base his childhood memories about running in the woods and connecting to nature. He has been able to manifest this into his work by working with wood which is essentially working with trees. “Maybe it’s just me trying to get back to my memory of running around the countryside and I feel very comfortable among those parts. Young me grew up in a very rural area out in the woods it wasn’t a cosmopolitan area like New York City”. Gilmore believes that “to a large degree” he has this “need to connect with nature” and he does associate it with his “upbringing in Alabama”.

CULTURAL IDENTITY & Subject of artwork

Gilmore has gotten the opportunity to have experienced different side of the country. Alabama gifted him his “country boy” aspects and has given him this connection to nature. However, he has also spent time in the city when he moved to New York in the 2000s and then later moving to Miami. He did admit for it to be a bit more difficult connecting to nature in the city, but later does speak about his artwork and how these places have influenced his perspective.

When asked…

Skyler (Me): Having said that you’ve had an upbringing in Alabama, the moving to New York, and to now you living in Miami, I’m assuming these places have affected your culture and even influenced your artistic eye. Do you see these influences of your found culture and places in your artwork?

Nick Gilmore: Yeah, absolutely. I am of the belief that artwork needs to be able to connect on a different level of connection personally to the artist you know maybe locally, but they should also extend to a global and even universal truth of some sort. The way I try is that since before Miami was a city, it was mostly a county on Pine Rockland Forests and it was not found anywhere else in the world except for Florida. It’s good to be able to represent issues that reflect ourselves and also universal issues.

Like many artists, Nick is influenced by where he is and is able to connect these places and their belongings to his own origins and is able to put a message out there to world that everyone can understand.

Exhibition & Project history

Nick Gilmore has been given the opportunity for his artwork to be displayed in many galleries and has been able to be in shows. Of course, there is always that one piece in that one place that really makes us all nervous and grasping for air.

For Nick Gilmore it was his piece Babble, et al in a library. You can see this piece on his page gilmoreworks.com in the Portfolio tab. Nick was able to acquire some of this materials for this piece from a “former Miami artist who passed away who’s wife used to work the library”. He says that “it was all these connections to the library and so I really wanted to make this Tower of Babble”. He then spoke of the artwork as “sexual like a brain of a show but then it has shocker for the press and also work from the Everglades and even urban exploration”. It was a very big moment for Nick seeing that he wanted this artwork to combine his two main mediums of woodwork and paper printmaking.

You’ll have to check out his website for the images of this masterpiece!

Student perspective

Nick Gilmore is a very unique person in the sense that he seemed very easy to connect with and even opened my mind about certain things that I never thought of before. I took advantage of this opportunity with him and asked him certain “abstract” questions to pick his mind on and see his responses.

Skyler (Me): How does your creative process look like? Do you need to take a trip back to Alabama to find inspiration? Do you have ideas ready to go?

Nick Gilmore: I do have a family and I have other jobs that I work at, so I have to be very careful with my studio time where I am going to take advantage of it. Basically I don’t really have to think that much when I get to the studio and I’m ready to make work I just kind of do it. I always have ideas in my head and so when I get in the studio I can just start making so I don’t have it I don’t have trouble coming up with ideas maybe all those years ago suspended while I was learning all this stuff about woodworking is stored up.

Skyler (Me): Are there any challenges you face when making artwork? What are these challenges and how do you overcome them or try to overcome them?

Nick Gilmore: Well if I’m working on a commission piece for somebody else sometimes I can get interrupted by anxiety about it as if it’s not going to work with my vision and theirs, but no that’s never the case. It winds up being an unnecessary stress and I don’t enjoy issues like that. If I do have a plan for a piece I want to work on and I have a technical issue where I cut something by accident, it’s not like painting where I can wait for it to dry and fix it.

I was very excited to have this interview with Nick and see exactly how his mind works. At the beginning of our interview, he mentioned how he did not like talking about himself and trying to respond to questions in a concise manner was difficult for him, but that it was good practice. Due to time constraints, we were not able to go deeper into his paper printmaking process, but I am going to reach out soon to pick his brain some more. Nick Gilmore is a very talented artist whose artwork needs to be displayed in places like Florida International University, Everglades National Park, and many more places for people to see. Don’t forget to check out his website, gilmoreworks.com

Author: Skyler Hayman

Skyler Hayman: Art Service Project 2021

Photo taken and edited by Mediana Merilus in 2021 at The One

Student bIO

My name is Skyler Hayman, but everyone calls me Sky. I identify as a non-binary queer human being who was born and raised in Miami, FL and birthed from two immigrant parents who are originally from Nicaragua. All pronouns are welcomed and so are your comments. I am a junior at Florida International University double majoring in International Business and Marketing. Art has always and will always hold a special spot in my heart as it is a way to connect with other human beings through time and space.

Who

Mendiana Merilus is a 23 year old born and raised Haitian artist and content creator living in Miami with aspirations of becoming a corporate lawyer. I was connected with Mendiana by being a brother of the same professional co-ed business fraternity, Alpha Kappa Psi. She has been an inspiration to some many young people of color and continues to break boundaries every single day. Many of her projects have been “edgy” and “controversial”, but have always remained true to her and her sense of style and being. Her newest project is to try and connect different people using clothes. Mendiana and I’s view on clothes are the same. “Clothes don’t have a gender and saying that someone can’t wear a piece of clothing because of what sits between their legs is b******t.” She designed, printed, and made silk scarves that will be worn by multiple people to show inclusion, diversity, and fashion through just a few scarves.

Photo taken and edited by Mendiana Merilus in 2019 in West Palm Beach

WHY

As previously mentioned, Mendiana Merilus has been an inspiration to so many young people of color including myself. Coming from a very conservative Haitian background, Mendiana seeked the education and knowledge on topics and people that was always gatekept from her and after being educated, she now wants to dive head first in everything race, sexuality, and even religion. I chose to volunteer for Mendiana’s project because being the vessel not only for her but for so many out there that have this notion of gender norms/roles and relay a message that it is our duty as the future of this world to tear those traditions down and make new ones. Today it may start as non-binary queer person wearing the same scarf as a cisgender black woman, but soon the future will be more accepting and free.

This project can even connect to my majors of International Business and Marketing seeing that Mendiana is using marketing techniques to deliver her message. She is using fashion as her medium to communicate her ideas. Her message of breaking gender norms and raising awareness of the LGBTQ+ community by inviting people of color like me to a project is definitely not only a huge interest of mine, but rather a passion. I use my voice to deliver my message, but Mendiana has chosen a more subtle and sometimes more effective way of doing so.

How

This opportunity slid into my inbox when Mendiana was first thinking about the project a few weeks ago. She was very impressed and pleased when I modeled for her before for her personal brand, and wanted to use me again for this project. She went searching through my instagram feed and found inspiration within it and even added a photo from my feed into her “vision board”. She asked me if I could recreate this exact look but to use her scarf instead of the bandana. Being the want-to-be model that I am, my answer was yes.

WHERE & WHAT

Mendiana followed up by calling me and setting a date and time for me to come by her house and use her scarf for a few photos. She displayed multiple scarves in front of me and decided to lend me two of them for her project. Mendiana made sure to communicate to me that “This may be my project and my scarves, but I want you to use your own creativity wear them as you want and I’ll just be here to take the photos.” This allows each one of her models to have fun and be free and it displays everyone’s individuality. For my individual shots, I wanted to use the same techniques I used for my own post and try to channel that for this project. I got my hair wet and split it down the middle, folded the scarf and tied it around my neck. I was shirtless under my blazer and the scarf was tucked into the blazer and gave a necktie feel at first. Later, I untucked it and then let the scarf be blown a bit by the wind. Switching over to the second scarf, I tucked it behind the flaps of the blazer and gave a true wind-in-the-scarf appeal. Seeing Mendiana’s face light up with every new pose I used just to see if any of them were good enough for her project. She selected the ones that best fit her vision and here they will be displayed in this blog post.

Photo taken and edited by Mediana Merilus in 2021 at The One

When

Summary

Ever since I realized as a child that I had something special to share with the world, I knew I would be involved in something greater than myself. This art service was more than just being a helping hand to an artist’s project, but instead this was me being able to express my individuality and my purpose through someone else’s artwork and resources. I know Mendiana Merilus will be a big asset to many communities and making sure that our voices are not only heard but obeyed. Mendiana Merilus is the blueprint for future creators and will be an inspiration to all. I am glad and blessed to have been given the opportunity to be involved in something bigger than myself. I hope Mendiana’s message reaches many people across her platform and that her messages are not only heard, but understood. In the words of Mendiana, “I don’t care who you are or what you identify as, but make sure to show love and respect for others. But make sure not to look ugly doing it, that’s my only rule. Look cute.”

Photo taken and edited by Mediana Merilus in 2021 at The One

Author: Skyler Hayman

Skyler Hayman: Miami Service 2020

Photo taken by Skyler Hayman in 2020 at the Bakehouse Art Complex

Student bio

Hello reader. My name is Skyler Hayman, but everyone calls me Sky. I identify as a non-binary queer human being who was born and raised in Miami, FL and birthed from two immigrant parents who are originally from Nicaragua. All pronouns are welcomed and so are your comments. I am a junior at Florida International University double majoring in International Business and Marketing. Art has always and will always hold a special spot in my heart as it is a way to connect with other human beings through time and space. In the future, I hope to become a product/project manager, but my goal in life is to gain as many memories and experiences as I can.

WHO

An artist by the name of Lauren Shapiro who collaborated with a marine ecologist by the name of Dr. Nyssa Silbiger. Shapiro decided to host her project at the Bakehouse Art Complex (BAC). BAC is an “art deco bakery housing local contemporary artists, with studios & galleries open to the public.” Among these will be an art project called “Future Pacific” by Shapiro. She wanted to raise awareness to the dying coral reef systems. Because the project was so massive Lauren opened up her project to have the help of the local community while teaching them about the importance of coral reefs and how they are impacted by human activity.

wHY

My major is International Business and Marketing which at first thought does not have any connection with art, especially to a project like this one. However, I need to pay attention to the world and where we are and what is/should be the concern of the market. At a reach, this can pertain to my major, and I was told about this opportunity by my professor John W. Bailly which gave me an unforgettable experience.

HOW

Connecting with this experience, in all honesty, took some time. As previously mentioned, my major is somehow connected to this within a long reach, but I had yet to connect my words to my actions. It was while actually molding the clay and adding clay when I was able to submerge myself in this world and have an even wider perspective of seeing the world. Using color, my hands, and a certain reign of creative freedom was such an honor and knowing that the work I was doing was going to be showcased in an art gallery was such a humbling moment.

WHERE & WHAT

Entering the gate, there was designated space under a tent where Lauren Shapiro awaited her community helpers. There were many tables set up under tents where we would sit and work. It all began with picking a rubber mold. There was a variety to choose from with different designs and shapes and sizes. Choose one and then spray the inside with some non stick butter that way the clay could come out easier. Grab enough clay to fill the mold and pick a color, or no color was also an option. This was the moment for creativity since we decided what mold and what color(s). After placing the powder colors how/where I wanted, it was time to press it into the mold and press hard enough to get every nook and cranny in there. Let it sit for a second and then it’s time to peel it out of the mold. Once you have you piece, it is then placed inside a container that has sand at the bottom so that the clay wouldn’t lose its moisture before heading inside to attach it to the actual wooden piece it was going to be stuck to. This first part of the process was repeated until the containers were full.

Photo taken by Skyler Hayman in 2020 at the Bakehouse Art Complex.

As photographed, here was the giant wooden piece that was covered in barbed wire so that when putting the first layer of clay, the clay had something to stick to. Lauren then explained to us how the attachment of the clay molds were going to be installed onto the wooden piece. We had to score the back of the mold and the spot where we wanted it. The scoring is compared to as scratching the game of tic tac toe on the mold. Also photographed was the bucket of watered-down clay paste that was used as a glue to put the mold on the big piece of wood. Once that was slapped on there, we had massage in the piece so it looked a little more natural. This whole process was repeated until the containers filled with the molds were empty.

WHEN

SUMMARY

Coral reefs are one of the most essential ecosystems of the sea. Coral reefs are the rainforests of the sea in which they provide a home to many species and are also protectors. Lauren Shapiro wanted to tell the community something scary and sad, but had to do it in a way that won’t make people want to ignore the issue while also providing something pretty to look at.

While at the Bakehouse Art Complex, Lauren explained how through art we could tell a story that was going to bring attention to an issue that needed raised awareness about. Coral reef molds, clay, and a lot of teamwork is telling a scary story about how our coral reefs are depleting and it’s our fault, but there are way we can help.

Being able to be part of Lauren Shapiro’s collaboration with Dr. Nyssa Silbiger, was an honor and great opportunity. This is just one of many examples of how science can communicate through art. This time it’s an exhibit about a lost city found underwater using clay, but next time it could be a movie or a painting. This project does not only show how science and art can be intertwined, but how any subjects can come together and still relay a message.

citations

“About Us.” BAChttp://www.bacfl.org/about-us.

“Future Pacific.” Lauren Shapiro, laurenshapiroart.com/future-pacific.

   

Skyler Hayman: ASC See Miami Fall 2020

Photo taken by Skyler Hayman in 2020 at the Patricia & Phillip Frost Art Museum at FIU

Student Bio

Hello reader. My name is Skyler Hayman, but everyone calls me Sky. I identify as a non-binary queer human being who was born and raised in Miami, FL and birthed from two immigrant parents who are originally from Nicaragua. All pronouns are welcomed and so are your comments. I am a junior at Florida International University double majoring in International Business and Marketing. Art has always and will always hold a special spot in my heart as it is a way to connect with other human beings through time and space. In the future, I hope to become a product/project manager, but my goal in life is to gain as many memories and experiences as I can.

Geography

The Patricia & Phillip Frost Art Museum at FIU is located inside the university campus with Florida International University. Their address reads as 10975 SW 17th St, Miami, FL 33199. Those who choose to visit this museum have the opportunity to see sculptures sitting right outside the museum. Because this art institution sits on campus, it shares a space with its neighboring buildings that are the Hebert and Nicole Wertheim Performing Arts Center and the Blue parking garage, and the Management & Advanced Research building. The visitors of this building can also enjoy a wide variety of dining option on campus depending on the hour. There is also a variety of dining options off campus as well that are nearby.

History

The Patricia & Phillip Frost Art Museum at FIU actually first began as “a small space in FIU’s Primera Casa building in 1978”. The small space’s collection began to grow along with the programming, the university finally decided that they needed a museum space on campus. This museum is called the Patricia & Phillip Frost Art Museum at FIU and resides in a 46,000 square foot building which was actually designed by Yann Weymouth. The museum officially opened its doors to the public 2008.

Mission

The Patricia & Phillip Frost Art Museum’s mission is “to provide transformative experiences through art; collect, exhibit, and interpret art across cultures; and advance FIU’s stature as a top tier research university.” In other words, they want for the art that they display to connect us all. From students, to faculty, to other visitors they want us all to relate to the art and to each other regardless of time and space.

Acesss

ADMISSION TO THE MUSEUM IS ALWAYS FREE! Due to Covid-19, they updated their hours and how those who are not part of the FIU community can access the museum. Sunday through Tuesday the museum is closed, Wednesday & Thursday the museum is open to the FIU community ONLY, and Friday & Saturday the museum is open to everyone, but those whose who are not part of the FIU community are permitted by appointment only. Those who visit have a maximum visitation limit of 1 hour. If visiting within the last hour, it will be shorter since they have to begin closing up the museum soon. Parking is available for the FIU community within the nearby parking garages, and their is visitor/metered parking that is open to the public in designated areas on campus. The museum is within a 1o min walk or less within the whole campus.

EXHIBITIONS

“The museum presents an exhibition schedule as diverse as Miami’s population. We showcase artists from around the world and across cultures, disciplines, and genres. In addition, the museum also showcases emerging and established local artists in select exhibitions throughout the year.” The whole museum displayed the works of students and other exhibitions that have been there since the beginning of December of 2020.

On the first floor, there was one art work from the “Master’s of Art Education Exhibition 2020” that really stood out to me. This piece is from Grace Cox titled “Natalie, 2020” and it’s a part of a series of hers that contains an important message. Cox was “inspired by what the presence of women in the world of skateboarding means to me” and she wanted to showcase how women these women are “surpassing cultural norms in a non traditional way through skateboarding”, but making sure that the series is “demanding respect without sacrificing authenticity.” I chose to talk about this first piece because it really spoke to me. Am I woman in the skateboarding world? No, but I am an individual who was not taken seriously or even disrespected when I was/am partaking in certain activities that don’t correspond with the gender norms society is trying to force onto me. I see these woman the same way I see myself when I am being me without any care on what the world thinks.

Photos taken by Skyler Hayman in 2020 at the Patricia & Phillip Frost Art Museum at FIU

I love women. I am a fan of everything they do and how far they have come and how much effort they are pushing for equality. On the second floor, the exhibition of “House to House: Women, Politics, and Place” was not only a collection of art, but a yell that these artist were roaring saying “I am a woman and you will hear me!”. With the iconic song “I’m Every Woman” by Whitney Houston echoing throughout the whole floor, I was able to submerge myself in the history of women and was able to gain an awareness of things of how unfair it still is for women even the “advanced” art world. Out of the whole floor, this piece spoke VOLUMES to me. “Oliver in a Tutu” by Catherine Opie was a true reflection of my own past and my future to be. Growing up, I was an explorer that did not stay within the gender norms. This type of behavior was not encouraged in my household, but this image reminds me that when I have a child I will allow them to be who they are without limitation.

The third floor was an exhibition titled “Tesoro: Pepe Mar’s Love Letter to the Frost“. Tesoro translated means treasure. This whole floor was curated by Pepe Mar who is “an artist who marries a broad range of visual references and personal obsessions spanning art, fashion, queer history, and Mexican culture”. This was clearly seen in every step I took within the exhibition. At first glance, it does seem like a random collage of weird artwork that was painted, designed, and put together by someone on acid. But once you take a breath and begin to take in each piece, the artwork just flows from the eyes the brain and it makes sense. I don’t know why, but the recurring voice I heard in my head while walking through the exhibit was “No, mucho color“. This was my mother repeating her conservative agenda whenever I chose to make/wear something that contained too many colors. All I could do was take in the beauty of the artwork and smile.

special programming

Due to the current pandemic, the museum is not holding any events at the moment rathe than just opening of new exhibitions.

Visitor

Jessica, Visitor, 21

Was this your first time visiting the museum? Yes

What was your favorite piece within the whole museum today? The series on the first floor from Grace Cox of the women skateboarding and knowing that they’re FIU students is a plus

Rate each floor on a scale from 1-10. First floor, 9/10. Second floor, 7/10. Third floor 10/10.

Do you think that this is a good spot for the museum? I like it, I think it’s nice. Although a lot of people don’t know its here. It’s kinda hidden since no one really comes to this side of campus so maybe they just need more advertisement.

Portrait

Jasmine, Front Desk Concierge, 19

How long have you been working here at the museum? 2 months.

What is your favorite piece that is currently in the museum? The three-headed peacock in the Tesoro exhibit, that one’s my favorite.

Rate each floor on a scale of 1-10. The first floor, I’d give it a solid 7/10. The second floor overall a 9/10. The third floor also a 9/10.

As an employee, do you get a first look before they get displayed? No, I can sometimes see them putting them up for display though.

Was it a busy day today? It wasn’t not busy, well we’re not really busy at all to be honest.

Do you think that this is a good spot for the museum? I like it here I just wish they offered free parking. Definitely needs to be advertised more.

SUMMARY

The Patricia & Phillip Frost Art Museum at FIU is such a wonderful place and an unknown valuable asset to the FIU community. It provides a unique educational experience that unfortunately many do not take advantage of.

The museum’s constant change of exhibitions is a great thing since the people who go love to see new artwork and can get tired easily. The way each exhibition is displayed is beyond brilliant. It’s all about getting the audience to submerge in the exhibits and that is exactly what they do. From the audio aids located in the exhibitions to the color of the walls to the placement of each piece. They all come together tastefully to ooze out art.

The only improvement that I would make for the museum fall within advertisement. LET MORE PEOPLE KNOW! The students who attend Florida International University don’t even know where the museum is and even the most important part that admission is FREE! This also goes with the public. This can also be beneficial for FIU in general to gather more people on campus to this museum. The public needs to know that they have access to this museum and by having more of the public come, it can attract attention to FIU and put us at a more competitive level with the other state universities.

Overall, the Patricia & Phillip Frost Art Museum at FIU is an institution I will be talking about for a while and highly recommending those that can come to take the time and gain a new experience.

CITATIONS

Florida International University – Digital Communications. (n.d.). About. Retrieved December 14, 2020, from https://frost.fiu.edu/about/index.html

Florida International University – Digital Communications. (n.d.). Visit. Retrieved December 14, 2020, from https://frost.fiu.edu/visit/index.html

Florida International University – Digital Communications. (n.d.). Events. Retrieved December 14, 2020, from https://frost.fiu.edu/exhibitions-events/events/index.html

Yumpu.com. (n.d.). Master’s of Art Education 2020 Exhibition. Retrieved December 14, 2020, from https://www.yumpu.com/en/document/read/65060125/masters-of-art-education-2020-exhibition

Skyler Hayman: Miami as Text 2020-2021

Photo taken of Skyler Hayman in 2020 by Judenjy Jean

Hello reader. My name is Skyler Hayman, but everyone calls me Sky. I identify as a non-binary queer human being who was born and raised in Miami, FL and birthed from two immigrant parents who are originally from Nicaragua. All pronouns are welcomed and so are your comments. I am a junior at Florida International University double majoring in International Business and Marketing. Art has always and will always hold a special spot in my heart as it is a way to connect with other human beings through time and space. In the future, I hope to become a product/project manager, but my goal in life is to gain as many memories and experiences as I can.

Deering As Test: “Category Is… Richmond Realness” by Skyler Hayman of FIU at Deering Estate

Photo taken by Skyler Hayman in 2020 inside the Richmond Cottage in the Deering Estate

Fashion is an art form that is constantly changing, improving, and being reinvented.

As seen in the photo above it is an example of what a wealthy woman of those times would consider fashionable. It’s the early 1900’s in Miami and women suffered in heat to be with the trends and seen as a respectable person. Keep in mind that this is a layered outfit with small torso to show off a feminine figure, but at the cost of being uncomfortable, sweaty, and most likely tired.

We now know, that fashion is different all around the world and at times, weather is a factor on deciding what’s trendy and what is allowed to be worn. This was the type of fashion that not only did the Deerings’ wear but was also encouraged for those around them to be presentable too, including the help.

Similarities from those times to now are body types. When looking up fashion from this era, it shows women who have a small waist and a long gown, could be signifying long legs. Models now are continuing this trend by being thin and having long legs. Differences now are that the world of fashion is being more acceptable to other skin colors, but also taking in account of the women that belong to different cultures. Don’t forget that women in general are allowed to show more skin now in certain part of the world.

Overall, having a peak at not only this time era, but also the location, we see they type of culture that was brewing in Miami at this time. The Richmond Cottage was converted into an Inn but not only was it a resting place for people, but also a temporary moment for different visitors to share their differences and similarities in what they wore and their culture from either their part of Florida or elsewhere.

South Beach As Text: “Don’t White People Own This?” by Skyler Hayman of FIU at South Beach

Collage of photos taken by Skyler Hayman in 2020 in South Beach

As we begin to go further into our explorations of Miami, South Beach is a place that could never be skipped over. South Beach has gone by and still goes by many names, but the history of the place will remain the same.

Walking through the streets of South Beach and not only was it a unique experience, but an actual walk through memory lane. Buildings have been torn down, renovated, rebuilt, or even kept the same. Seeing the history of these buildings speak through their names and even their architecture.

Having gone through these streets and their history, the string that ties them all together are the white people that have navigated it’s history into the future. Did the big white names actually construct these buildings? No. They have called the shots about who can live there and who can hang out there and exactly where all these things happen.

To this day, the segregated parts of South Beach still continue to be separated. Everything below 5th street is not blocked off and not protected the same way everything above 5th street is. Above 5th street there are blockades that don’t allow cars to drive through those streets which have been places because of the pandemic, but still protect only those buildings. Many buildings have been built in an Art Deco style down this side of South Beach that have kept authenticity of these buildings, but were only protected by another white person.

South Beach today is now the center of Miami, regardless of geographic location. It’s our main attraction that’s placed in the intros of movies and shows, but it is our duty to learn its history which will overall deepen our love and appreciation for Miami.

Bakehouse As Text: “Science But Make It Artsy” by Skyler Hayman of FIU at Bakehouse

Photo taken by Skyler Hayman in 2020 inside the Bakehouse

What’s the first thing you think of when you hear the word coral reef? Did you think of some ocean somewhere? Coral reefs are one of the most essential ecosystems of the sea. Coral reefs are the rainforests of the sea in which they provide a home to many species and are also protectors. Worst part is, they’re depleting and it’s our fault.

So how do you tell the world about something sad and scary, but in a way that won’t make them want to ignore the issue? Art. While at the bakehouse, science was being explained through art and its medium was clay. Repurposed clay was being given the chance to explain science through a story that still being created. Coral reef molds, clay, and a lot of teamwork is telling a scary story about how our coral reefs are depleting and it’s our fault, but there are way we can help.

This is just one of many examples of how science can communicate through art. This time it’s an exhibit about a lost city found underwater using clay, but next time it could be a movie or a painting. This project does not only show how science and art can be intertwined, but how any subjects can come together and still relay a message.

Rubell As Text: “Rubells Take On Contemporary Art” by Skyler Hayman of FIU at Rubell Museum Contemporary Arts Foundation

Photo taken by Skyler Hayman in 2020 inside the Rubell Museum Contemporary Art Foundation

It has been said before that art is a story that each person interprets differently. Aside from being a story. art is a freedom of expression that is used to communicate with people through space and time. So what exactly is the image above telling you?

The Rubell family started with one art work that they were paying with weekly installments to now becoming one of the biggest contemporary art collections in North America. They know that art is not made to be transactions being passed around for one individual, but rather to share with the world. The art works are on display without censorship in their rawest form.

Contemporary art is more of a modern art which makes this museum more reachable to it’s visitors by being able to connect with them. Some art works may seem confusing and hard to understand and other art works look astonishing and beautiful. However, they all fall under the genre of contemporary art because they are from artists living today.

Each of these art works have a background on how and why it was made. Many times artists do not want to provide too much of an explanation behind their work only because they want to leave those consuming it to interpret it for themselves. How do you see contemporary art now?

Deering Hike As Text: “Nature: Where Past Meets Present” by Skyler Hayman of FIU at Deering Estate

Photo taken by Skyler Hayman in 2020 during a hike of the Deering Estate

Aside from the mosquitos buzzing in one’s ear, the climbing temperatures, and occasional breeze, during this hike the past presented itself to its future but our present.

Water in nature is a life-support for all who drink from it. It was a feast for those who eat of its living organisms. In the past, hunters and gatherers would take complete advantage of a place like this one. Not only did it provide a nourishing and thirst-quenching experience, but it also provided them with food to survive until they encounter another opportunity like this one.

Nature provided rocks that were at times perfectly shaped to skin a fish, sharpen a spear, or even dig a hole in the ground. It was nature’s way of helping out the humans in the past. Nature continues to do these things whether or not humankind has advanced far from it. This is where the present meets the past, which is their future.

We now see parts of nature like these or even at times find the same tools they used back then in those places at this time and think how fascinating it is or think how they survive and definitely surprised to how far we have come.

Nature continues to live on in the same way as it used to even to certain animals. Those species who don’t have the power, mentally or physically, to move past the times of hunter and gatherer. We have done damage to these places, but we most also give back to the places who helped us get here.

Downtown Miami As Text: “Dear Tequestas, I’m Sorry” by Skyler Hayman of FIU at Downtown Miami

Photo taken by Skyler Hayman in 2020 during a walking tour of Downtown Miami

Downtown Miami today is the hub to find all different types of people ranging from culture, socioeconomic status, sexuality, religion etc. and it can be seen with the architecture of the buildings, the people walking the streets, and even the type of places to eat. But before all the sights to see, there were Native Americans residing there. They were pushed down south then moved again just so Downtown could become Downtown.

The Tequestas were a tribe like many others that were forcibly removed from many places just so that non natives could steal their land and turn them into whatever they wanted. The history of Downtown Miami is not spoken of much because we are too occupied with concentrating on the diversity of right now. People of color built Miami, but we only acknowledge the ones who were forcing these people to build.

However, houses like in the image above give an exceptional story. An interracial couple lived in that home. A white man was married to his black wife and they had kids and took care of them in that house. Interracial couples seem normal to us now, but were a huge controversy back in those times. This is what Miami is truly about. Downtown Miami itself is a mixture of all different kinds of people with different backgrounds and who have different experiences.

Downtown Miami is even home to other histories. There is a piece of the Berlin Wall in front of the Miami-Dade College that has it’s own story with the past dean. Downtown Miami is a wonderful place that is a very important place for many people. The history of it and those who worked for it to get there is not spoken about enough or one to truly acknowledge and appreciate it.

Mangroves As Text: “Pick Up After Yourselves” by Skyler Hayman of FIU at Deering Estate

Photo taken by Skyler Hayman in 2020 while canoeing in the mangroves of the Deering Estate

This is now my third time visiting the Deering Estate. Every single time I go, it seems like I am stepping into a whole new world. From the Richmond Cottage to the hike trail, to now this. The mangroves at the Deering Estate. The weather was nice, the people were, great and the water was beautiful.

However, like many beautiful things in nature, the deeper you look the sooner you’ll find how humans have ruined it. Before getting to work, we had the opportunity to canoe deep within the mangroves and have a moment to take in its beauty. The crabs crawling on the branches, the spiders weaving their webs, and fellow classmates tipping their canoe. This experience was an unforgettable one.

After some fun, it was time to remember why we were there. This was more than just picking up trash from humans that got entangled within the mangroves. This was an apology to mother nature. We were able to recover a lot of trash that were thrown off boats and somehow got into the mangroves. I was one of the students who tipped over their canoe so I was figuratively and literally submersed within the mangroves. Wet and all, we continued to pick up after others. After our canoes were filled with trash and soaking wet students, we paddled our way back to shore to dispose of what we collected. The only message I can share is, pick up after yourselves.

Everglades As Text: “Slough Slogging Adventures” by Skyler Hayman of FIU at Everglades National Park

Photos taken by Skyler Hayman in 2021 in Everglades National Park

When talking to any Floridian, they know the general area of where the Everglades are. Even referring to it as “the Everglades” was very Floridian of me. However, not everyone knows how it works or even the history of it. Everglades National Park is the largest subtropical wilderness in the United States. As more and more people came down, they began to redirect water flow and build on the Everglades which has now become towns people live in. There are efforts to restore the water flow and to maintain the land that wasn’t completely destroyed when making South Florida.

I am not new to the Everglades nor am I new to slough slogging. However, passing down the opportunity to go on such an adventure again, especially with new people and great guideS, is impossible. This time, I got to slough slog in a new area that is truly breathtaking as can be seen on the left of the photo above. It was the same activity, but in a new location with new people and new information made it feel like I was doing it for the first time.

After a brief lunch intermission, I was thrown into a new area where there was a boardwalk trail that allowed me to continue to see a different side of the Everglades. This side can be seen on the right of the photo provided from above. This trail seemed brighter and more open all while maintaining an adventurous scene. Birds catching prey, mating, and even defecating set the scene that could be shared with first time visitors and avid bird watchers.

Lastly, a few of us took the extra step and went on another mini trail right next to this one, which again felt like a whole new scene. I don’t know how mother nature does it, but what I do know is that sights and experiences like these can not be passed on. Everglades National Park is more than just a swamp, but rather a world of worlds of beautiful explorations that needs to be taken advantage of.

Margulies As Text: “Contemporary Art Exhibit A” by Skyler Hayman of FIU at Margulies Collection at the Warehouse

Photo taken by Skyler Hayman in 2021 inside the Margulies Collection at the Warehouse

As we know, contemporary art is the art of the modern day world. It’s unexplainable yet interesting. To some people they just see a 5 year olds art class project and others can feel the intent and emotion of each artist and understand the concept. The difference lies in one aspect, art education.

While touring the collection, there were many moments where I questioned myself “Do I lack the art education to understand this?” and most times I did until later where the piece was explained to me and I was able to understand how the artist was able to obtain that piece. Some art works spoke for themselves. It was able to communicate its purpose by making one feel the art with their eyes or the space it was in.

The best part about going to see art with others is that each person is able to interpret the art in their own different way. We came across an artwork that was made entirely of rocks. To most of us, it was a beautiful piece of artwork that came from nature until a classmate spoke up and was able to see that even though it was a nice piece, it was harmful to the environment that these rocks were taken from. A business person, an environmentalist, and an artist all saw the same piece and all took away something different and that relates back to my statement that art is a way to connect with other human beings through time and space.

This collection is one that I recommend one goes to see without judgement and reservations about art, but an open mind that is open to seeing the artwork from different perspectives.

Bill Baggs As Text: “Lighthouse Tales” by Skyler Hayman of FIU at Bill Baggs Cape Florida State Park

Photo taken by Skyler Hayman in 2021 in Bill Baggs Cape Florida State Park

And there I was again, diving into history through the landmarks that were there and stories told by people who heard it from other people who heard it from the friends of the people who experienced it. Hearing about who built the land and who claimed it and who discovered it and slightly distracted by those who were there standing in front of me. Standing in the shade of the same lighthouse we weren’t allowed to enter because of the pandemic. Hearing the same ocean waves those before me have heard and those after me might not get to hear.

Applying previous knowledge of people before us like the Tequestas and the Afro-Bahamians and seeing how they would’ve lived in this area. Using the lenses of the past and trying to see our present in their future. Runaway slaves seeking freedom in the same place people are now taking photoshoots and having lunch. Seeing a home built in the middle of it all that didn’t belong there with its two chimneys in Miami, Florida…. the sunshine state.

Our fun didn’t stop there. After having a sweet encounter with the wildlife in the man made area of trees planted there to rejuvenate the place and bring back the beauty of it, it was time to have a beach cleanup. It was our time to give back to the same Earth that provided stories, tales, and a gorgeous view. Walking alongside the water still thinking about the history of the people before me. Wondering if they showered or played on the same beach I am cleaning up. These were the tales provided to us while standing next to a lighthouse that has been there for years and more years to come.

River of Grass As Text: “Abandoned Tomato Farm” by Skyler Hayman of FIU at Everglades National Park

Photo taken by Skyler Hayman in 2021 in Everglades National Park

Looking at the image above, tell me what you see. If you answered some grass and the sky, you’re correct. But I promise you it’s way more than just that. What’s not captured in the photo is actually how wet and muddy the floor where the grass stands really is.

Before our wild adventure, we had a walk through the past visiting an old missile sight in the Everglades. Seeing a missile sight and knowing that back in the day if need be, the U.S. government would’ve cause tremendous damage to the this unique ecosystem. Shortly after this small blast to the past, we actually dove into the everglades.

It wasn’t my first trip to the Everglades and I highly doubt it’ll be my last. We were on this long journey to see a farmer’s house that was in the middle of this abandoned tomato farm that turned into a habitat for animals who have been forced into this sanctuary. Our class stomped and tracked through this terrain and now we have left our mark in this spot of the Everglades. Our adventure was also filled with iconic sights of spoonbills that soared through the sky.

Frost As Text: “Rose Petals” by Skyler Hayman of FIU at Patricia & Phillip Frost Art Museum at FIU

Photo taken by Skyler Hayman in 2021 at the Patricia & Phillip Frost Art Museum at FIU

Back in another museum. Connecting with humans through which connects us all through time and space. Diving into other cultures and the minds of artists through what they’ve made and the way the curators choose to tell their story. Learning that before art there was science which later turned into art, but can be used in science to this day. Standing in the middle of a gallery of rose petals that weren’t red or yellow, but black to show their shape and way of being. Seeing the same images scientists see and seeing science through our artistic eyes.

Applying the artistic knowledge bestowed onto me by a wise professor, we took our artsy lenses and went up to the third floor and no longer saw labels of things but rather unlabeled art standing next to other unlabeled art. Making educated guesses of what the artist meant to say or if they meant to say anything at all. Having deeper conversations and meaning behind each art piece and wondering if the art on display was offensive or disrespectful. Sitting on a bench which was limited to one person due to the pandemic and wondering if the so-called angel in the art piece was disappointed or asking for help. Art pieces framed in parts of furniture because the artist couldn’t afford more than that and it was now being dissected by a bunch of young adults who think they know what art means.

Our sight learning turned into hands-on learning once we were given some art tools and expected to make something meaningful or extravagant when being handed a rose and some paint. After opening my mind’s eye and making something I could be proud of, we were then given a psychological test. Not knowing it was a psychological test, our minds opened once more and released what we could, given the guides in front of us. Art not only connects all human beings through time and space but it also reveals what a particular human being’s mind is in that time and in that space. Revealing to me that I see sexuality as a “prison bitch” spoke volumes and it shows how the artists of the floors and I think differently, but are both considered artists to some degree.

Coral Gables As Text: “The Gables” by Skyler Hayman of FIU at Coral Gables Museum, Coral Gables, & Biltmore Hotel

Photos taken by Skyler Hayman in 2021 at Coral Gables Museum & Biltmore Hotel

Another museum, another history lesson. Coral Gables is a well-known part of Miami. It’s an area that is known for it scenery, money, and history. We were able to get a peak into the past by visiting the Coral Gables Museum which used to be a fire rescue station, police department, and even an old courthouse. Standing in the same spot criminals spent the night in felt scandalous and exciting. Standing in the same spot the fire engines would storm out of was a thrilling experience. Walking the same halls past presidents have walked felt inspiring. I was now learning about the area where I would pass through and visit my whole life and learning exactly how it got its name. I was a business student looking at history with my artistic eyes.

If you’re familiar with this class and my experience in this non-traditional lecture, you know the fun never ends there. After taking a time machine to the past, we took a walk in the present while talking about the future. Walking the streets of Coral Gables Making educated guesses of what the artist meant to say or if they meant to say anything at all. Having conversations about keeping the antique style of Coral Gables . Strutting the streets where restaurants and businesses stood together and flags from different countries hung right over them. The streets lead us to a time capsule and we visited the expensive, haunted, historical iconic…

Biltmore Hotel. Walking in was seeing the people of the present being present in a past location where they were the people of the future. The only way I could describe this experience is if Cinderella were to walk in Prince Charming’s Castle before the bippity boppity boo. The scenery can only be described as vintage wealthy glamour. Being led around by such a knowledgable tour guide. Seeing the possible events that probably made stories and dramas of the rooms there.

Vizcaya As Text: “Man Made Beauty” by Skyler Hayman of FIU at Vizcaya Museum & Gardens

Photos taken by Skyler Hayman in 2021 at Vizcaya Museum & Garden

My life couldn’t have continued without coming to see this place. Vizcaya Museum and Garden was the highlight of this entire course. Aside from the people and moments shared with them, lectures given, and many other aspects, this man made beauty was the best end to our journey as a class. This wasn’t just another museum, but we were walking in a palace built by James Deering. James had a vision for a mansion and because of his resources, his vision became a reality and what a beautiful reality it was.

The beauty began at the entrance where there were signs guiding visitors to parking spaces. It was like entering the prettiest part of the jungle. A short walk and I found myself with my jaw dropped and eyes widened by the astonished beauty that was Vizcaya. The entrance itself looked as if the trees were welcoming us into a magical place. Upon entering, a statue of a god was looking down on us and my mind began to wonder, how did James come up with such a beautiful concept. Later learning that the entrance we entered wasn’t even the main entrance, I could only imagine what lied ahead. What I saw next, my own imagination couldn’t even compete. A body of water looking onto a balcony where it told me to leave serious things behind and trust me that I did. Passing through the rooms of the house and through secret passage ways made me feel just as boujee as James Deering might have felt.

If being inside the mansion wasn’t enough, we were able to lose ourselves and truly leave all serious things behind and just frolic throughout the garden. Stepping outside and going into the garden felt almost angelic. The trees whispering and telling us to dance, the leaves laughing in the wind, and even the rocks we stepped on humming to the song that nature was singing in that garden. James Deering took on the challenge on creating what he wanted nature and beauty to mean and he did wonderfully. Fountains and secret gardens were just the remains of the stories that happened in the garden. All lessons learned about Afro-Bahamians, Spaniards, building art styles, etc. were all tied back to into this palace. What a great end to a wonderful class, Vizcaya Museum & Garden.

Author: Skyler Hayman

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