Author: marriaams

Mariya is a rising Junior enrolled in The Honors College at Florida International University pursuing a degree studying in International Relations and Philosophy. Originally from Almaty, Kazakhstan, six years ago Mariya moved to a small city Fort Myers, where she completed a High School degree with the International Baccalaureate diploma. She then decided to continue her adventures in the city that is the center of art and culture – Miami. Miami, in her opinion, has a vibrant energy that many people cannot see due to the first layers of the city. Because of that many people oversee the diversity that the city hold, and Mariya’s goal is to show the world’s beauty through art and culture at places as such.

Art Encounter As Text

“Embracing the Artistic Character” by Mariya Shevchenko on January 25, 2024

For me, it is hard to imagine the vibrant city of Miami being apart from art. From Lake Okeechobee southward to Florida Bay, and from the kaleidoscope of painted walls in Wynwood to the annual “Art Basel” galleries, street art, and the architectural giants, each element resonates with the cultural heartbeat of Miami. Living in this city as a student artist is undeniably a privilege, but one that carries a substantial cost—not merely in financial terms, but in the pursuit of carving out an identity that captivates an audience. Having moved to Miami in my freshman year of 2022, I did not know much about Miami before, rather I had stereotypical views before I learned about its history, and now I appreciate this city. While I saw the highs and lows of being here, I now can be proud of embracing this city for its unique character.

Through all the ups and downs, the one thing that never ceased to captivate me was Miami’s vibrant art scene. Being an artist myself, I thought it would be a perfect place to explore my potential, and I was not wrong. As far as being an appreciator of art, I have also contributed to Earthy Art of Miami, where I crafted pieces from upcycled materials, as well as had an opportunity to secure an internship with The Untitled Art Fairs. It’s a reminder to everyone that, regardless of where life leads, never miss any opportunities you are given. In my opinion in the realm of culture, art takes center stage, especially here in Miami where art is not just a thing—it is what invented new ways of thinking.

I learned a lot of history about Miami as a city last semester, and this semester I wanted to immerse myself in the city’s different versions of what exactly is art in Miami. Because I always remember how I liked to pick up a paintbrush as a little kid, however, I never really envisioned that I would delve into something as exciting as learning about art here in Miami. Now, reflecting on my journey in Miami, I want to say while art is a part of this city, it is essential to learn about its history, and lots of it comes from people like Mary Brickell, Barbara Baer Capitman, Dana Dorsey, etc., that contributed to this city so much, that way we can enjoy its beauty today.

 My journey has revealed Miami’s evolution in contemporary art, and this evolution is not a mere coincidence but a testament to the indomitable spirit of many extraordinary women who have preserved and propelled the city’s artistic identity. The diversity of cultures here creates an irresistibly attractive tapestry that sets Miami apart. In Miami, art is not merely an expression; it’s a living of many artists, a breathing entity shaped by the interplay of cultures, and it encourages individuals to become part of its narrative. Miami has taught me that being a resident here is not just about creating; it’s about learning its history, contributing to a legacy, being inspired by the heroic women who have paved the way, and embracing the dynamic fusion of cultures that defines art in the city of Miami.

Norton Museum As Text

“This Blonde Hair” by Mariya Shevchenko on February 4th, 2024

I marked my second visit to the Norton Museum of Art in West Palm Beach, and once again, the experience left an even more profound impression on me than before. The story of the museum takes place in 1941, established by Ralph Hubbard Norton and his wife Elizabeth Calhoun Norton. Mr. Norton, an industrialist leading the Acme Steel Company in Chicago, initially collected art for their home, and as the collection expanded, the couple made the decision to establish a museum in 1935, making it South Florida’s first art institution.

What sets the Norton Museum apart is its distinction as the only museum of its kind in the state of Florida. The vast collection spans Western European art from the 1300s to the present day, alongside an extensive array of Chinese art, covering more than 5,000 years and featuring over 700 pieces. The juxtaposition of these two cultures shows the differences in artistic perspectives, and while Chinese artists employed imaginative creations such as dragons and artiodactyls made of bronze with unique anatomy, Western artists, particularly during the Renaissance, leaned towards realistic depictions of humans, considering them more aesthetically valuable.

The evolution of aesthetic art across ages became my main goal of my exploration at the Norton Museum. Artists like Nosadella and Giordano played very important roles in shaping their respective eras during the Renaissance, specifically by portrayals of biblical figures, such as Madonna and baby Christ. Notably, despite the anecdote of Madonna being based on a real person without a bright reputation, the artwork itself garnered significant fame and still carries history within.

Moving on further, I really took into consideration an individual artistic style of one Baroque painter – Ruben and his masterpiece, “Saint John the Evangelist.” This painting is such a good example, because it emphasizes how correctly the light is supposed to be seen in the painting. Saint John’s blond hair had me speechless because of that painting! However, the characteristics of Baroque painting, marked by strong contrast, vibrant colors, and an evocation of activity, stood in stark contrast to Panini’s “Capriccio with Monuments of Rome,” embodying the Neoclassical period. There, I noticed how many artists wanted to experience something new and completely remove still figures, while utilizing architectural capriccio, and abandoning strict geographical accuracy.

Impressionism, which was another important style to consider, was an example of Monet’s departure from traditional painting techniques into a revolutionary moment in art history. His “Nympheas” from 1905 challenged perspectives, offering a dynamic experience that transformed depending on one’s proximity to the painting. This exemplified the essence of the Impressionist movement, capturing the effects of light and atmospheric conditions, fundamentally altering the viewer’s perception. I certainly did not expect to see the painting in two different conditions when looking at it closely and from a distance.

But one painting that left me sitting there for a couple of minutes was a masterpiece by Joaqui Sorolla y Bastida. His “Beaching the Boat” painting is one of those great examples that moves your eyes around the painting but never off of it. The way the painting is completed is through such little details as, in the sun-kissed skin of the humans who have spent considerable time in the sun and the finely rendered fur of the animals. The painting, with its careful consideration of every element, forms a harmonious and complete circle that beckons viewers to traverse its details repeatedly. It is truly wonderful and is very unique to be an artist that does the job as they were called. 

I think that Norton Museum is that unique place where you see arts evolution take such different turns in history like nowhere else. It goes beyond showcasing revolutionary painters who have left an indelible mark on history; it also offers a rich experience for art enthusiasts eager to delve into the roots of genuine art beyond contemporary surroundings. Despite having been there before, the museum left a lasting impact on me, imparting knowledge that I didn’t fully grasp during my initial visit.

Margulies As Text

“The Idea” by Mariya Shevchenko on February 18, 2024 

“I created it, but I didn’t make it” by Marcel Duchamp. 

This was my first time entering The Margulies Collection at the Warehouse, which was like finding a secret gem of creative genius. I was fascinated by the history of invention and imagination that pervaded every inch of this enormous 50,000-square-foot space as I listened to Mr. Margulies himself. It was very kind of him to let us know the origin of this place and his early connections, as well as hear a little about his personal stories and tales. I can certainly mention that Mr. Margulies has great humor, and learning something new from him was a pleasure. 

On a different note, his collection has also attracted thousands of visitors with various activities, seasonal exhibitions, and worldwide loan initiatives since its founding in 1999. Establishing itself as something new in Miami, practically creating a new art district in Wynwood, ever since then, each visit directly supports the Lotus House Women’s Shelter, exemplifying the idea that art can affect positive change in many other lives. The Margulies Collection is also known for its commitment to promoting discussion and interaction regarding modern art, and every artwork invites spectators to fully immerse themselves in the creative experience, from the Photography Study Center, where academics and enthusiasts explore the depths of visual literacy, to the intriguing installations strewn around the warehouse. I also found it fascinating that Mr. Margulies displayed a sincere admiration for creation in all of its forms by displaying a thank-you note from a lesser-known Italian artist, Mimmo Paladino on the wall to real-person figures created by a French artist or artists like Marcel Duchamp regarding the 9/11 incident.

Visiting the Warehouse meant more than just looking at art; it meant accepting a fresh viewpoint and taking part in an enlightenment journey.  It was extremely touching to see how the history of the Holocaust was revealed in front of us, but also surprising by how a pile of unfinished paintings can make a whole new piece of art, and realize how simple concepts could be transformed via art into meaningful messages. I learned from The Margulies Collection that the ability of ideas to evoke meaningful narratives and stimulate thought is just as important to artistic expression as skill. It is significant to realize that any utilitarian object, just like any pedestal, can turn into a meaningful piece of art if handled with the proper message and idea behind it. This is why it is so important to not only see art as something beautiful but also as something conceptual and intellectual for the public. 

Not knowing about this place before was very unfortunate, but after discovering it I confidently can say that The Margulies Collection is essentially a monument to the enduring legacy of philanthropy and the transforming power of art. Its steadfast dedication to art, education, and accessibility keeps inspiring and enhancing the lives of all who are fortunate enough to see its treasures even today and will continue to for many more years to come.

Art Wynwood As Text

“What a Fair” by Mariya Shevchenko on March 7, 2024 

Art Fairs in Miami are held annually to showcase galleries and artists from around the world, requiring significant effort to high skill organization and participation. It takes a lot of hard work and time to not only organize a fair like such, but also for the artists to bring their pieces to this. Artists invest time, money, and their all into their pieces, also often facing setbacks such as damage or having to restart the project. Many have to hire multiple professionals that would install their pieces, whose work frankly speaking is not of the cheapest. It is incredible how art may fit all of the different criterias within, such as politics, faith, culture, and the idea, but yet stay appealing to the eye and spark an emotion. From the digital age of a canvas mimicking your every movement, to Cuban history, we saw it all and even got a chance to interact with multiple artists themselves. 

This was not my first time being at a fair that is named Art Wynwood, and frankly will not be my last one. However, I absolutely love being immersed into contemporary arts as though they are something where history is being done in front of us. One highlight was a visit to Ramón Cernuda’s Cuban gallery, featuring Manuel Mendives’ “Olofi, Owner of the Landscape,” which beautifully expressed Yoruba culture. The scenery of this painting shows creatures represented as humans praying to the Supreme Gods in the Yoruba pantheon. What was interesting about this piece is that people are shown as if they are a part of nature and give nature back what they were given. Manuel Mendives, the artist, did a great job showing the importance of his culture and the way it is expressed which I really much appreciated. 

Another standout was Vicente Hernandez’s politically charged paintings, depicting Cuban life and immigration struggles. Many of the people were influenced a lot by the Soviet Union ruling, and many of them blindly believed the reality in which they lived. The artist, however, tried to show that by painting the circus with many key symbols being in the circle surrounded by the entertained people. We can also notice another painting,  “Por el Mar de Laz Antillas,” with its truth of brutal immigration and willingness to bring your home to a city like Miami. 

However, one piece that touched me the most at the fair was the exposition of “Ojitos para que te tengo” made by Teresa Diehl, and where through her art, Diehl calls for peace and an end to global turmoil, using the eyes of world leaders to symbolize the need for change. By making the eyes of real leaders of the word she wanted to represent to all that something about the way people do politics needs to change and change soon. I had a private conversation with her, and what touched me is that all the eyes that we have in the world, we still stay blind to the reality of what we see happen to us and how much longer do we need to stay quiet until we will finally realize. This is exactly what I love about art when we can speak our thoughts and call for action, when we can ask for people to open their eyes and not stay ignorant, especially about issues that happen around the world.

Art allows us to view the world through different lenses, making fairs like Art Wynwood invaluable for both artists and attendees. They serve as platforms for dialogue and reflection, encouraging us to carry new perspectives forward in our lives.

Rubell Museum As Text

“Untouched Topics” by Mariya Shevchenko on March 24, 2024

The Rubell Museum has opened my eyes to a new form of contemporary art collection that I have never seen before. From the works of world-famous artists like Yayoi Kusama, Cady Nolan, Karon Davis, and Basquiat, to a unique sweep of contemporary art that cannot be found anywhere else, this place made me disappear from my reality and away from the real world. Finding out a bit more about the Rubell Museum, I learned that the couple started their collections over 50 years ago, but no museum can be compared to theirs. The museum has 36 galleries, a flexible performance room, an extensive research library, and many more for visitors to enjoy the time being there. Besides having many world-known artists, the Rubell Museum also touches on many subjects through their exhibited artworks, that I have not noticed anywhere else yet. 

Starting with Yayoi Kusama, a 95-year-old artist, the Rubell Museum was one of the few places that obtained two of her pieces before she became famous. Unfortunately, Kusama has had a challenging life, dealing with a lot of distress which inspired her to create immaculate art pieces where one can escape from reality. From depersonalization to helping remove the taboo on mental health, Kusama created a transformative experience that visitors of the museum can partake in. One of the rooms designed by her, the “Infinity Mirrored Room,” is made with a kaleidoscopic effect, transporting visitors to an alternate, limitless universe. It almost feels like being in your own “Milky Way,” gazing at the stars, an impression caused by the holes in the wall that allow light to enter and reflect in the mirrors. This experience mesmerizes visitors for a few seconds until they realize they are there by themselves, at peace. Through her art, Kusama has forever marked the contemporary art scene, changing the narrative of mental illness and creating an alternate reality for inner peace.

Another touching art object that made me look at things differently was one by Karon Davis, an artist who creates sculptures and installations to highlight issues of history, race, and violence in the United States. One of the sculptures exhibited in the Rubell Museum is “Family,” depicting an African American family sending off their son to school. The figures were created from real people, using plaster strips and chicken wire to sculpt bodies. Davis even used her real son to make the sculpture. The significant message of this piece lies in the idea that even today, many American schools face the issue of gun violence, leaving students feeling unprotected, especially African American children who feel targeted. The feeling of sending off your child to school, realizing the risks, and feeling powerless is quite dramatic. The sculpture portrays this tragedy by targeting race, which is symbolized by the antlers on the heads of the figures. Davis, herself, also experienced a personal tragedy when her husband, Noah Davis, passed away from cancer in 2015. On their anniversary, she placed a bouquet of flowers under his paintings with a note saying, “With Love – On Our Anniversary, Karon and Noah Davis,” and they have remained untouched since. 

I believe the best stories are those lived by simple people like us, with some pinch of salt, whether from sadness, happiness, or excitement. They are real stories. Artists like Yoyumi Kusama and Karon Davis reveal important layers of our society that many people have to overcome and may touch one’s heart. Whether we want to relate to them or be left alone in our world, all are equally valid spectrums of emotions and feelings, and all of those can be portrayed through art. 

PAMM As Text

“Uncomfortable, yet rewarding” by Mariya Shevchenko on April 7, 2024.

The Pérez Art Museum Miami (PAMM) is a monument to creativity from all backgrounds. It was renamed in honor of Jorge M. Perez after it was first designed by the Miami-Dade County Art Museum. For almost 35 years, it served as the focal point of the county’s cultural landscape, and being so unique because of its unwavering faith in the transformational potential of art, it strives towards creating a more compassionate and just society. By providing people with immersive experiences with worldwide modern and contemporary art, PAMM also actively engages individuals to stay and think creatively.

Our journey to PAMM was enhanced by the presence of Mr. T. Elliot Mansa, a distinguished artist who guided us throughout the entire visit.  I enjoyed listening to Mr. Mansa’s anecdotes and observations, and as turned out later, I soon learned that he is not only a multidisciplinary artist renowned for his ability to incorporate “Southern vernacular aesthetics” into provocative pieces, but also a good friend of Professor Bailly. Thanks to Mr. Mansa, who guided us through various exhibits, I was able to learn about critically important issues related to the political, social, and racial dynamics of different communities.

Since the very beginning of our visit, we were immediately exposed to African American history. Walking through the several galleries of the museum, I felt the reminders of the pervasiveness of systemic racism in the modern world. One of the exhibits there represented the erasing of ideas and voices in a world where intelligence may be made invisible by using chalk whiteboards with pure white chalk. It made me think that no matter how hard or much you try, the ideas will be invisible on the whiteboard, and this system needs to be changed from the roots and not only barely touched on. 

My favorite work that we discussed though, was one with Hattie McDaniel, the first African American woman to win an Oscar, being written on a painting.  She was subjected to segregation during the event and had to get an award separate from everyone else during that time. As a fan of “Gone With The Wind,” I found it quite poignant to see how discrimination continues to have an impact, as portrayed in both the book and the actress’s actual life. These pieces of art are potent monuments to the ongoing difficulties that Black people have endured throughout history and are something that is still not paid much attention to, yet has been repeated too many times to be impossible to see.

The exhibitions at PAMM forced me to acknowledge racism’s ubiquitous existence in modern culture, going beyond just demonstrating its prevalence. Whether it is portrayed in popular culture, on social media, or in everyday conversations, racism endures and forces us to face hard realities. Nevertheless, as unsettling as these disclosures may be, they work as triggers for important discussion and action. We give ourselves the ability to bring about constructive change in the present and the future by admitting the injustices of the past, and I firmly stand by that. As a reminder, it is important to always have confronting, uncomfortable truths and actively work towards a more equitable and just world, which is the key. I believe that PAMM is the place that inspires dialogues, reflection, and ultimately transformation for such inquiries and systematic issues. 

Mariya is a rising Junior enrolled in The Honors College at Florida International University pursuing a degree studying in International Relations and Philosophy. Originally from Almaty, Kazakhstan, six years ago Mariya moved to a small city Fort Myers, where she completed a High School degree with the International Baccalaureate diploma. She then decided to continue her adventures in the city that is the center of art and culture – Miami. Miami, in her opinion, has a vibrant energy that many people cannot see due to the first layers of the city. Because of that many people oversee the diversity that the city hold, and Mariya’s goal is to show the world’s beauty through art and culture at places as such.

Miami As Text

“Learning Through Experience” by Mariya Shevchenko, August 27, 2023

January 2022, three months before my High School graduation, I am debating whether I should agree to receive the acceptance letter at Florida International University. My contemplations, questions, inner conflicts, “Do I want to live in Miami, how am I going to overcome that distinct culture, or am I even going to like it?” were all the thoughts happening in my head in a split second every day. I had about two weeks to think about whether to connect my life with the city of the unknown, but so intriguing, or whether to become an ordinary person and go to an ordinary place that everyone chooses each year. After carefully weighing all the pros and cons, speaking with my teachers, and doing simple research, which was helpful, but only helpful enough. 

I needed to convince myself that this was my place, and then I decided to look at it from a different perspective: Will this university help me achieve what I need in life? Will this place expand my abilities and my talents, or will I absolutely hate this place? At the time I also thought about the major – International Relations (IR) – that I now study. My psychology teacher at the time suggested I look more into which school is best for that profession, and in Florida, FIU stands #2 among the best schools to study IR. The first one is of course many’s favorite University of Miami, but only smart fellas decide to spend their lifetime savings and dump it all into their education there rather than in FIU. 

It was decided then, that FIU would be my new temporary place where I would get the education I want and even need. I was still very suspicious of the people and the culture, because knowing myself, I would not want to go through acculturation another time. Moving to the United States with the minimum knowledge of English and its culture was already enough to have for six years; *I am still learning something new every day, by the way. Regardless of that minor inconvenience, I “manned up” and moved again, and in my experience, it was an absolute culture shock. Suppose anybody wants to experience what Miami is like on the first layer that it’s portrayed. In that case, I recommend to start working at Publix, because most likely one old lady will come through your line and tell you that you have to speak Spanish if you want to live in Miami. 

Being the strong person I am, those challenges thankfully kept me going and did not break me. That first month was a lot, but slowly I saw the benefits of that new culture after I fully immersed myself in it. I became to like Colombian coffee, Venezuelan Arepas, and of course many favorites Puerto Rican Croquettes. I became very eager to learn new words in Spanish, so I could speak with that old lady and tell her that Spanish is not the only language you should learn. I discovered a new way of learning. Learning through experience! 

Of course, my adventures did not stop, and my first year of college continued through exploring the city either by myself, the people who became my friends, or my boyfriend who supported me through many ups and downs. To my surprise, I discovered how imaginative Miami is, how many people make this city aesthetic, and how history shapes many lives on this land. I became a part of a collective artistic organization Earthy Miami (unfortunately, an online marketplace now), that introduced me to so many young artists. Miami helped me to start painting again and explore a new style of art. “Earthies” showed me how to make sustainable art, and from there I started painting on vinyls. I explored so many unique places including thrift stores, museums, and various districts. I fell in love with the city. 

Miami is full of life, and not everyone is able to notice it. Everyday chores here take away the beauty from the many of us, and that almost happened to me. Fortunately, I did not let it affect me and strived to learn more about this place. I made myself go out of my comfort zone and put myself out there. I would have never known that from a little girl who enjoyed watercolors and clay, there would be an artist who held multiple exhibitions of her artworks in a year. I would have never known that besides knowing only two languages, there’s always a way to learn another one. And most importantly I would have never known that if you do not try, you do not achieve the top. It is worth it and it will pay off, you just need to believe and do what makes you happy. 

Historic Miami As Text

“Differences of Miami” by Mariya Shevchenko of FIU, Downtown Miami on August 30, 2023

“The history of Miami does not begin from its humble origins to its present-day status, instead, Historic Miami is one of resilience, transformation, and cultural fusion that stretches back from approximately 500 BCE,” was what I learned from my first lecture class Miami in Miami. Getting to know Miami-Dade County from a new perspective is a life-changing experience that enables you to come across various cultures, interesting choices of architecture, human rights stories, and insights into religion. 

This year, my Miami adventures kicked off at the Metrorail. It was my inaugural ride on one of the city’s trains, allowing me to truly appreciate the beauty of the city. The Metromover opens up access to various other destinations, including the historically rich Overtown, all for just $2.25 per trip. This mode of transportation struck me as a very convenient option, given that many people are often unaware of it. Among the stops, the Government Center left the strongest impression due to the contrast between the places separated by only one single station. The Government Center exudes cleanliness and boasts an abundance of high-quality offerings, whereas the Overtown (another wonderful place I got to visit) presents a different picture that stretches back from its history.

Witnessing such lingering inequality in this day and age is disheartening. I couldn’t help but observe the representation of authority to the civilians. It felt like not much has changed in the dynamic between people and their government compared to centuries ago. However, on a more positive note, I found it intriguing that with each new building project in the city, there’s a requirement to invest in an art piece. This was a reassuring indication that there are individuals who still value and appreciate art.

Going further with the beauties if this city, I can certainly say that living in Miami can evoke a myriad of opinions and perspectives, shaped by the unique experiences of its residents. People may love Miami for its tropical paradise, diverse population, or nightlife and entertainment, but only a few know what shaped Miami into what we know the city today.

Downtown was the first place that I visited after arriving in the town a year ago, but little did I know that the actual prominent landmark of Downtown Miami is not everyone’s favorite Brickell Avenue Bridge, but the waters beneath it, weaving a sinuous path through the heart of the city. The Miami River traces its origins to the Everglades, which served as a lifeline of trade and transportation of the blue waters of Biscayne Bay. Today, the Miami River retains remnants of its industrial past, with maritime activities and waterfront businesses. 

Unfortunately, the water also became poisonous and is not recommended for drinking or fishing. Going back to history,  the river served as the main town for the Tequesta People, and The Statue on the Brickell Bridge is a poignant tribute to Miami’s indigenous roots. The Miami Circles (noticed when walking along the shores of the river) are frequently assumed to be an attribute to decorations when in reality were the first signs of the primary village of the Tequesta People. My heart sank as I discovered another historical site with indigenous significance was not preserved to expand and advance human knowledge about Tequesta’s heritage, and rather was prioritized for some commercial ventures like chain stores for wholesome foods. 

Miami does not only hold the history of the native people, it also stretches forward to the uncomfortable topics of human rights. Specifically , it is noticeable when visiting Lummus Park Historic District with just two buildings that were relocated from their original location further north. The Fort Dallas building was built in 1844 as slave quarters whose owner was William English; it later became the U.S. Army Barracks during the Seminole Wars. The Lummus Park also contains another historical building whose story deeply touched my soul.

It was a love story of the Wagner Family. This Homestead was once a home for William Wagner, a German immigrant, and Eveline Aimar, a French-Creole immigrant. Due to the violations of Human Rights, interracial marriage was forbidden, and unfortunately, William and Eveline had to face lots of discrimination. Their fate did not break them, and they tried to live through the rural truths of their time. Wagner’s House became a new place welcoming the Northern settlers and the Seminoles. Luckily this place was successfully preserved and now people are able to visit it and touch the walls to really connect with their ancestors. 

Religious constructions have consistently held great importance in my life. Coming from a devout Orthodox family, I grew up with a deep appreciation for the artistic wonders found within cathedrals. This time was no exception, as once again, I found myself captivated by the artistry of churches. The city’s oldest Roman Catholic parish – Gesu Church – is located in downtown Miami, and is performed in a Mediterranean Revival style church.  I was intrigued by how different cultures depict saintly figures, imbuing them with characteristics cherished by their respective ethnic groups. For instance, the portrayal of Jesus varies between Mount Zion Missionary Baptist Church and Gesu Church, yet both maintain certain facial features. The weight of significance that these churches hold for their respective communities is essential, and it’s crucial to honor the history of both.

Seeing Miami from a fresh perspective was very important for me. I once again realized that no matter where history takes us, we should not stay away from it. It teaches us a lesson, and it works for our own goods only when we notice the bads in the past.

Works Cited

”Historic Downtown Miami” Bailly Lectures, September 29, 2022

Vizcaya As Text 

“Styles of Hedonism” by Mariya Shevchenko on September 13, 2023

Vizcaya is a place best experienced rather than described. Its name originates from a Spanish Province of Biscay, history of which an American industrialist and philanthropist, James Deering, was influenced by. Coming from a highly educated family, James Deering harbored a profound appreciation for art, culture, and nature. As I delved deeper into his biography, I became more familiar with the fact that every little detail of Vizcaya was strategically designed to harmonize Miami’s natural environment with the grace of Mediterranean architectural styles. It’s also worth noting that Vizcaya was a collaborative project involving other talented people such as Paul Chalfin (Artistic Director), Burrall Hoffman (architect), and Diego Suarez (landscape architect), along with the director.

Each artwork in the museum carries a rich history, making it a special privilege to learn about. In order to get to the place, it’s better to use the Metrorail, and once you arrive at the right station, it’s just a ten-minute walk through a winding path to reach Vizcaya. When you pass through the gate, you’re immediately immersed in a tropical atmosphere, feeling the humidity on your face. Thanks to the museum’s generosity and support from FIU Honors College, I had the opportunity to visit this place for free. The first thing I saw after the short path were the statues of Ponce De Leon welcoming me, and at the bottom of his gown it was clear that a globe had Florida being directly at the top.

 In order to get to Vizcaya itself, we had to walk past the driveway and go down the alley. An interesting fact is that Deering initially tried using water to deter intruders, then turned to cacti when that proved ineffective. He also made sure that in order to get to Vizcaya, you would have to walk down the alley, where the back entrance opens up to a space with the fountains stretching along both sides.  At the time when Vizcaya was being built, Deering was the wealthiest person in Miami and employed more than 1000 people between 1914 and 1916 to build it; many of these workers were also of Bahamian origin, an outside in his garden there is the most beautiful mosaic made out of shells that shows some evidence of Bahamian culture. Deering infused luxury, aesthetics, and a touch of self-expression into Vizcaya, ensuring its enduring popularity and diversity. 

We entered from the back, similar to how delivery personnel might have back then, but true guests would receive a much warmer welcome and from the front doors that shows the ambiguity of the estate. The statue of the God of Wine, Dianises, with his pot pouring into a bath, greets you as you walk in through the glass doors. The blend of Miami’s natural elements—palm trees, plants, birds, flowers, and fruits—alongside Italian Renaissance artistry is striking. Indoors and outdoors seem to blend, leaving you questioning if you’re in a medieval castle or someone’s home. It definitely leaves an impression of a garden, and that you are living through those exact times as James Deering once was. 

Every room in Vizcaya has its own unique style. The first one we visited followed a Neoclassical design, with balanced shapes like squares and circles. Deering made sure each room was special, and they all evoked different feelings as we walked through them. For instance, the Neoclassical room had a calming effect on me. Going further, we peaked at his office room and although Deering did not have kids, he had enough money to paint them on the wall, to sort of feel less lonely. But what really caught my eye was the reception room designed in a Rococo style. It had natural elements that you’d find in Miami, but a lot of it actually came from Italy.  Even the ceiling wall!

I can certainly agree that James Deering had a unique style and taste in art. This was especially evident in the statues being placed around his estate, the ancient-inspired furniture he had as art objects, and the paintings that reflected his interests. For instance, the statue of Leda and a Swan, Venus’s birth that is exposed in the dining room; or how he had a whole island of monkeys for his own entertainment, and the parties outside of the barge, which left one curious about his interests but also impressed by his ability to showcase the hedonistic pleasures of life.

James Deering was among those who found a distinctive way to express himself. Even while keeping up with contemporary trends, he managed to leave a lasting imprint on how Miami is perceived today. There’s a lot more that can be said about Vizcaya, but it’s best seen in person rather than in pictures. If Vizcaya was never built, it is possible to assume that some people might still have held onto clichéd notions of the city, focusing solely on its beaches and bodies, without truly appreciating the richness of its art and nature.

Works Cited

“Vizcaya Museum and Gardens” Bailly Lectures, September 29, 2022

Chicken Key As Text

“A Call for Action” by Mariya Shevchenko, September 27th, 2023

At least once in a lifetime, everyone should experience the thrill of venturing out into the open sea alone in a single kayak. The wind pushes against you, the waves present a challenge to move forward. You feel as though you’re standing still, when in reality, you’re moving so swiftly it feels surreal. That’s how I felt during a daring 45-hour swim to an unknown island. My shoulders burned like never before, as if they were set ablaze, and the unrelenting sun showed no mercy. Despite the obstacles, the true adventure began when we divided ourselves among canoes and kayaks. While some were familiar with them, many were not. I was fortunate to go solo, finding it almost therapeutic. Venturing into nature, without a clear destination for the first time, turned out to be one of the most enriching experiences of my life.

Thanks to the generosity of the Deering Estate and their dedicated team, we were able to immerse ourselves in the natural wonders of Chicken Key Island for an entire day. Located about a mile offshore, the island’s formation owes itself to the deposition of quartz and limestone sands by ocean currents. Interestingly, it was not chickens that gave the island its name, but rather a misunderstanding by early settlers who mistook the distinctive Ibus birds for simple chickens. That was an adventure that promised breathtaking views and a deeper connection with the boundless expanse of the ocean. From seeing where the natives used to inhibit the lands, to what it has become now. It makes you immersed in the history of Miami, and I truly enjoyed it a lot during that day. 

Upon reaching the island, we assembled in small groups.  As a class, we knew it was our job to pitch in and clean up any litter or plastic we found. I learned that Miami’s seashores are home to a remarkably diverse marine life, with many endangered species seeking refuge on its islands. Sadly, the habitat is plagued by human-made debris. Microplastics pose a grave danger to sea creatures, leading to tragic consequences. Items like metals, rubber, and fishing gear accumulate in the branches of mangroves, often mistaken for real food by animals. Witnessing the extent of human impact on this environment was both sobering and a call to action.

As the day unfolded with newfound discoveries, I couldn’t help but reflect on the urgent need for change. Our environment, which nurtures and sustains us, is in peril. Biscayne Bay faces challenges arising from hydrological shifts, outdated infrastructure, and water management practices. But there is hope. Miami is now making strides towards preserving and safeguarding its wildlife, investing heavily in the growth of vital ecosystems. It’s time we step up, take the initiative, and make eco-friendly choices that honor the homes that provide us with so much.

South Estate As Text

“History Surrounds Us” by Mariya Shevchenko on October 18th, 2023

Situated in the Village of Palmetto Bay, the Deering Estate, a Spanish style, was created by James Deering’s half-brother, Charles Deering. It’s spread out across 400 acres of wild terrain, featuring a three-story mansion and a transformed Richmond cottage. This estate is a mix of natural beauty and historical charm, with different habitats thriving together. It is home to eight unique ecosystems, several of which I had the chance to hike through, seeing firsthand where each one begins and ends.

Our first hike at the Deering Estate was an adventure through an uneasy path, fraught with multiple solution holes. These geological features, as we soon learned, held more than just a physical challenge; they were archeological sites, holding a record of millennia of history. Within these solution holes lay the remains of various creatures, some of which met an unfortunate fate. *Luckily, nobody in our group experienced stepping in any of them, but hearing stories of people in the past made us very cautious during the hike. 

What made this hike so special, was its hidden gem. After numerous detours and wrong turns, we finally arrived at our sacred destination – the Cutler Fossil Site. Despite the urban landscape that had developed over the past 10,000 years, the site remained sheltered and well-preserved. This ancient watering hole, perched 16 feet above today’s sea level in the heart of a limestone sinkhole, held a stunning collection of Pleistocene remains; dire wolves, mastodons, camels, llamas, saber-toothed tigers, and the mighty American lion were all preserved in this geological time capsule. 

During our second hike, we encountered not just solution holes, but also had to wade through water up to our knees. Along the way, we came across a surreal scene straight out of a movie: the Cocaine Cowboys Plane, a small aircraft that crashed in these mangroves back in the 1990s. We couldn’t get too close due to an active beehive, but it was still an incredible experience to witness a crashed plane.

We also witnessed the earliest habitats of the Tequesta people, as well as a burial site, revealing traces of their daily lives. The shell fragments jutting out from the soil in smooth, spear-like shapes were the tools they used for tasks like opening shellfish and drilling. Their burial site is believed to have 12 to 18 Native Americans, including women and children, resting here in a circular arrangement, much like the spokes of a wheel.

My second visit to the Deering Estate was remarkably different from the first. Never did I imagine I’d have the chance to witness such historic sights on our hike. It is astounding how much history is woven into Miami, and being able to experience it firsthand feels like a stroke of good fortune.

Cited Sources:

Bailly Lectures “Deering Estate” on November 21st, 2022

Deering Estate As Text

“Rhythms of Miami Beach”  by Mariya Shevchenko on November 5th, 2023

When I was a kid, before I even moved to Florida, I was a huge fan of movie series “Step Up.” Back then I was so fascinated by how the vibrant urban culture in the movies, as well as by people that were all connected by their focus on dance. One of the many famous scenes was Miami Beach, and ironically enough, I got a chance to walk through the streets where the scene showcased the dancers’ skills on top of cars many years later. This made me fall in love with the vibes of Miami, that intriguing cultural interpretation and a huge rhythmic energy that eventually brought me to those exact streets. 

As I walked on the streets of Miami Beach, I learned that the city, with its highest concentration of Art Deco buildings, stands out as a unique architectural gem. It also embraces other styles like Mimo (Miami Modern) and Greeko Roman, adding to its diverse aesthetic appeal. The name “South Beach” doesn’t derive from glamour or global fame, but from the deep-rooted struggles tied to environmental, inequality, and race-based issues, which persist to this day. What makes the beauty of Miami Beach, especially South Beach, captivating is that much of what appears natural is actually a product of human intervention. The sand, palm trees, and even the ocean water, which has been channeled through canals for better accessibility. 

Originally, Miami Beach was dominated by mangroves, essential to the ecosystem and acting as a protective shield against hurricanes and a barrier between Biscayne Bay and the Atlantic Ocean. With the reconstructions and major mangrove elimination,there was no longer a safeguard for the mainland. These environmental changes not only resulted in catastrophic hurricanes, but also impacted the reconstruction of vital water springs crucial to the marine life, contributing to a decline in species. 

What is significant about why Miami Beach is so high in tourism, is because of Carl Fisher, whose goal upon arrival was to develop the beach to a resort. The human hand not only caused the envrioemntal distructions to marine wildlife, but also cause a lot of multiracial issues. Before the Tequesta people, the island was inhabited by communities of African-Americans, Afro-Bahamians, and Seminoles for thousands of years. Fisher’s plan deliberately excluded communities like Jews and Black-Americans from his resort, leading to discriminatory practices that persisted for decades. Unfortunately, all these issues can be still noticed today, and nothing that can be changed in the past, can still be prevented today. 

Standing there, I realized that the magic of Miami Beach wasn’t just in its picturesque landscapes or architectural wonders, but in the stories of resilience and transformation that had shaped its history. I am hoping that one day these issues can be eliminated and humans would preserve what matters most in this world free from discrimination and more of love for others. Through a collective effort, we have the power to turn the scenes of today into the stories of tomorrow.

Cited Sources: Bailly Lectures “Miami Beach As Text” on November 21st, 2022

Final Reflection As Text

“My Retrospective” by Mariya Shevchenko on December, 2023

“Miami in Miami” is not just a concept that encompasses the city’s history through lectures; it is an immersive journey  that goes beyond a typical history class and opens the contemporary street of the vibrant city in front of you. While I was in the class for a whole semester, I had the pleasure of meeting the most incredible people, and experiencing truly new things with my classmates and my professor.  Revisiting familiar locations took on a new significant level for me, and opened new perspectives of the places that I did not know much about before. 

I started noticing details in the architecture of the city and the history that buildings have behind them. Miami Beach was a whole new world for me, especially after learning that it is the biggest place with Art Deco buildings to date. The way that I thought of Miami before moving here has changed completely since, because I never would have thought  that Miami’s civilization extends far beyond the present inhabitants, reaching back to the era of the first Indians and the Tequesta people. This class showed me the city’s rich narrative and its transformation through the presence of European settlers. The way people of different cultures and ethnicities had to go through the rural truth of work, migration, and exclusion from the classes,  is what made Miami the way it is now. 

This experience not only provided me with a fresh perspective on Miami but also instilled in me a heightened appreciation for my surroundings and an acute awareness of the fragility of our environment. Being able to kayak to Chicken Key island, on my own, during one of the classes, not only tested my strength, but also commitment to my goals. I now know that everything that I want to achieve is possible, only if I believe in myself and make better choices. One of my goals is to make this world a little bit of a better place, and witnessing the impact of microplastics in the ocean throughout that day has compelled me to contribute in my small way to environmental well-being. I now embrace the ethos of valuing what I have, as well as appreciate history, while also striving to build upon it in a more enlightened manner. 

I couldn’t have wrapped up this semester on a more profound note, thanks to my participation in one of Miami’s most pivotal events—the Art Basel week, specifically the Untitled Art Fair. This experience left an indelible mark on my life, sparking a newfound passion for connecting with art and culture, all while igniting a desire to contribute to resolving international crises, particularly those tied to environmental issues. Immersing myself in the art industry has been transformative, influencing and inspiring me to pursue a path aligned with my true aspirations. Without a doubt, this experience has shaped my identity in a way I hadn’t imagined before, guiding me towards my best self.

Reflecting on this class, I’d describe it as a lens through which to view the everyday surroundings with freshly discovered appreciation. It’s about embracing the present, recognizing the value in what’s around you, and reframing your perspective on the life you led before. If someone were to ask me what it’s like to be in this class, I would convey that it’s an opportunity to not only witness but to genuinely appreciate the beauty of the everyday, fostering personal growth and a deeper understanding of oneself.